{"id":10058,"date":"2011-01-14T16:00:35","date_gmt":"2011-01-14T21:00:35","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=10058"},"modified":"2011-01-14T18:29:03","modified_gmt":"2011-01-14T23:29:03","slug":"staff-picks-faust-ibsen-and-bananas","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2011\/01\/14\/staff-picks-faust-ibsen-and-bananas\/","title":{"rendered":"Staff Picks: Faust, Ibsen, and Bananas"},"content":{"rendered":"

\"\"I\u2019m reading Randall Jarrell\u2019s translation<\/a> of Goethe\u2019s Faust<\/em>, for no better reason than that I found a good used copy while browsing at the Strand. Jarrell died before he could finish part I\u2014at times the verse is a little rough\u2014but Robert Lowell stepped in to translate Gretchen\u2019s famous Spinning Song, which now reads, very movingly, like an elegy for his friend: \u201cMy peace is gone, \/ My heart is sore, \/ I never find it, \/ I never find it. \/\/ When I look through my window, \/ I look for him. \/ When I leave the house, \/ I go on looking.\/\/…If only I could \/ Catch him and hold him.\u201d \u2014Robyn Creswell<\/strong><\/p>\n

I saw Ibsen\u2019s John Gabriel Borkman<\/em> on Tuesday night at the Brooklyn Academy of Music. Ben Bratley describes<\/a> James Macdonald\u2019s \u201cthaw-proof\u201d production as having a \u201csense-numbing wintriness\u201d to it. I loved the sight of Lindsay Duncan, Alan Rickman, and Fiona Shaw standing amid large banks of snow on stage. A small blizzard descended on New York that evening, and when I exited the theater, snow was falling heavily. For a brief moment, it felt as if I hadn\u2019t yet left the play. \u2014Thessaly La Force<\/strong><\/p>\n

The box set of Sandy Denny\u2019s complete recordings<\/a> are an imposing introduction to one of the most indelible voices of the last fifty years. Fortunately, Rob Young is at hand to steer a course through her work<\/a>. Denny\u2019s rich and allusive personal mythology\u2014which draws upon maritime literature, pre-Raphaelite poetry, and English classical music\u2014has been a major influence on artists like Kate Bush and Joanna Newsom. Head straight for \u201cAll Our Days,\u201d \u201can eight minute mini-cantata with chords streaking like shafts of sunlight stabbing through clouds, and the alien ripple of a vibraphone recalling the mystical opening of [Vaughan Williams\u2019s] Eighth Symphony.\u201d \u2014Jonathan Gharraie<\/strong><\/p>\n

Do you like bananas? Did you know there are fuzzy pink bananas? Bananas with pulp the color of orange sherbert? Bananas that taste like strawberries?! Mike Peed\u2019s New Yorker<\/em> story about the great banana blight<\/a> is a fascinating read on one of America\u2019s favorite fruits. \u2014T. L. <\/strong><\/p>\n

I have finally plunged into Chuck Klosterman\u2019s Eating the Dinosaur<\/em>, and I wish I hadn\u2019t waited so long. From the failures of star athletes to Kurt Cobain\u2019s affinity for smashing his guitars to the philosophical dilemmas of time travel, Klosterman\u2019s pretentious-yet-charming pop-culture references are endless, but I\u2019m always pleased when I get them. \u2014Sam Dolph<\/strong><\/p>\n

Perpetually behind in my reading, I just finished an article on Mad Men<\/em> creator Matthew Weiner<\/a> in Rolling Stone<\/em>\u2019s September issue. Apparently, in an era of celebrity and self-promotion, Weiner made a conscious decision to hire previously unknown actors so that viewers could project their fantasies onto the characters more fully. \u2014Kate Guadagnino<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

I\u2019m reading Randall Jarrell\u2019s translation of Goethe\u2019s Faust, for no better reason than that I found a good used copy while browsing at the Strand. Jarrell died before he could finish part I\u2014at times the verse is a little rough\u2014but Robert Lowell stepped in to translate Gretchen\u2019s famous Spinning Song, which now reads, very movingly, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[1684,1679,1680,1686,1682,1681,630,1685,40],"class_list":["post-10058","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-bam","tag-bananas","tag-goethes-faust","tag-henrik-ibsen","tag-john-gabriel-borkman","tag-randall-jarrell","tag-robert-lowell","tag-sandy-denny","tag-the-new-yorker"],"acf":[],"yoast_head":"\nStaff Picks: Faust, Ibsen, and Bananas by The Paris Review<\/title>\n<meta name=\"description\" content=\"January 14, 2011 \u2013 I\u2019m reading Randall Jarrell\u2019s translation of Goethe\u2019s Faust, for no better reason than that I found a good used copy while browsing at the Strand. 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