{"id":100134,"date":"2016-07-06T19:14:49","date_gmt":"2016-07-06T23:14:49","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=100134"},"modified":"2016-07-06T22:50:49","modified_gmt":"2016-07-07T02:50:49","slug":"im-still-here","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/07\/06\/im-still-here\/","title":{"rendered":"I\u2019m Still Here"},"content":{"rendered":"<div id=\"attachment_100135\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/heroicdosser.jpg\" rel=\"attachment wp-att-100135\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-100135\" class=\"wp-image-100135\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/heroicdosser.jpg\" alt=\"\" width=\"600\" height=\"844\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/heroicdosser.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/heroicdosser-213x300.jpg 213w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/heroicdosser-768x1081.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/heroicdosser-728x1024.jpg 728w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-100135\" class=\"wp-caption-text\">Peter Howson, <i>The Heroic Dosser<\/i>, 1988, screen print, 55 \u00be&#8221; x 42 \u00bc&#8221;.<\/p><\/div>\n<p><em>A survey of the Scottish artist Peter Howson\u2019s prints, spanning decades of his work, opened today at <a href=\"http:\/\/www.flowersgallery.com\/exhibitions\/view\/peter-howson-a-survey-of-prints\" target=\"_blank\">Flowers Gallery<\/a> in London. \u201c<a href=\"http:\/\/www.studiointernational.com\/index.php\/peter-howson-in-conversation\" target=\"_blank\">I had nothing at all in 1984, nothing<\/a>,\u201d Howson said in a 2013 interview:<\/em><\/p>\n<blockquote>\n<p><em>I didn\u2019t have a penny. I was homeless for a year in Glasgow\u2014I lived on the streets\u2014and then suddenly I met this woman and she took me home and said: \u201cLook, why don\u2019t you just start drawing again.\u201d So I started drawing and about a year later everything changed, the whole thing blew up and it was all about money coming in and fame and whatever, and then it all went wrong again. Theoretically, I shouldn\u2019t be here because I\u2019ve nearly died so many times, either with overdoses or with fights or violence or whatever, but I\u2019m still here. There must be a reason for it.\u00a0<\/em><\/p>\n<\/blockquote>\n<p><!--more--><\/p>\n<p><div id=\"attachment_100136\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/aubarii.jpg\" rel=\"attachment wp-att-100136\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-100136\" class=\"wp-image-100136\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/aubarii.jpg\" alt=\"\" width=\"600\" height=\"838\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/aubarii.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/aubarii-215x300.jpg 215w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/aubarii-768x1073.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/aubarii-733x1024.jpg 733w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-100136\" class=\"wp-caption-text\"><i>Au Bar II<\/i>, 1990, monoprint, 53 \u00bc&#8221; x 32&#8243;.<\/p><\/div> <div id=\"attachment_100137\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/manwithcigarette.jpg\" rel=\"attachment wp-att-100137\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-100137\" class=\"wp-image-100137\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/manwithcigarette.jpg\" alt=\"\" width=\"600\" height=\"767\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/manwithcigarette.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/manwithcigarette-235x300.jpg 235w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/manwithcigarette-768x982.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/manwithcigarette-801x1024.jpg 801w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-100137\" class=\"wp-caption-text\"><i>Man with Cigarette<\/i>, 1982, lithograph, 24 \u215d&#8221; x 21 \u215b&#8221;.<\/p><\/div> <div id=\"attachment_100138\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/suppertime.jpg\" rel=\"attachment wp-att-100138\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-100138\" class=\"wp-image-100138\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/suppertime.jpg\" alt=\"\" width=\"600\" height=\"840\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/suppertime.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/suppertime-214x300.jpg 214w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/suppertime-768x1075.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/suppertime-731x1024.jpg 731w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-100138\" class=\"wp-caption-text\"><i>Suppertime<\/i>, 1987, monotype, 46 \u00bd&#8221; x 35 \u00bd&#8221;.<\/p><\/div> <div id=\"attachment_100139\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/princeregent.jpg\" rel=\"attachment wp-att-100139\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-100139\" class=\"wp-image-100139\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/princeregent.jpg\" alt=\"\" width=\"600\" height=\"750\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/princeregent.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/princeregent-240x300.jpg 240w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/princeregent-768x960.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/princeregent-819x1024.jpg 819w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-100139\" class=\"wp-caption-text\"><i>Prince Regent<\/i>, 1998, drypoint, 19 \u00be&#8221; x 17 \u00be&#8221;.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A survey of the Scottish artist Peter Howson\u2019s prints, spanning decades of his work, opened today at Flowers Gallery in London. \u201cI had nothing at all in 1984, nothing,\u201d Howson said in a 2013 interview: I didn\u2019t have a penny. I was homeless for a year in Glasgow\u2014I lived on the streets\u2014and then suddenly I [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[35,12976,23136,20760,14048,23135,1050,23134,9528],"class_list":["post-100134","post","type-post","status-publish","format-standard","hentry","category-look","tag-art","tag-drawings","tag-flowers-gallery","tag-gallery-openings","tag-glasgow","tag-lithographs","tag-london","tag-peter-howson","tag-prints"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Prints by Peter Howson<\/title>\n<meta name=\"description\" content=\"The Scottish artist, who suffers from Asperger\u2019s Syndrome, surveys his gorgeous, grotesque prints at London\u2019s 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