{"version":"1.0","provider_name":"The Paris Review","provider_url":"https:\/\/www.theparisreview.org\/blog","author_name":"Cynthia Zarin","author_url":"https:\/\/www.theparisreview.org\/blog\/author\/czarin\/","title":"Another Life: On Yoko Ono by Cynthia Zarin","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IwmMdFVhl8\"><a href=\"https:\/\/www.theparisreview.org\/blog\/2024\/08\/23\/another-life-on-yoko-ono\/\">Another Life: On Yoko Ono<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.theparisreview.org\/blog\/2024\/08\/23\/another-life-on-yoko-ono\/embed\/#?secret=IwmMdFVhl8\" width=\"600\" height=\"338\" title=\"&#8220;Another Life: On Yoko Ono&#8221; &#8212; The Paris Review\" data-secret=\"IwmMdFVhl8\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"August 23, 2024 \u2013 \u201cI know that in 1969, while twilight, striped by the half-open venetian blinds, gathered in the parking lot behind the ballet studio where, in an hour, my mother would arrive in our Ford Country Squire station wagon to pick me up, when I looked at that photograph I thought, \u2018There is another life.\u2019\u201d","thumbnail_url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2024\/08\/half-a-room-scaled.jpeg","thumbnail_width":2560,"thumbnail_height":1699}