{"version":"1.0","provider_name":"The Paris Review","provider_url":"https:\/\/www.theparisreview.org\/blog","author_name":"Elisa Gonzalez","author_url":"https:\/\/www.theparisreview.org\/blog\/author\/egonzalez\/","title":"Against Remembrance: On Louise Gl\u00fcck by Elisa Gonzalez","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Vi1gIq7v7v\"><a href=\"https:\/\/www.theparisreview.org\/blog\/2023\/10\/18\/against-remembrance-on-louise-gluck\/\">Against Remembrance: On Louise Gl\u00fcck<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.theparisreview.org\/blog\/2023\/10\/18\/against-remembrance-on-louise-gluck\/embed\/#?secret=Vi1gIq7v7v\" width=\"600\" height=\"338\" title=\"&#8220;Against Remembrance: On Louise Gl\u00fcck&#8221; &#8212; The Paris Review\" data-secret=\"Vi1gIq7v7v\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"October 18, 2023 \u2013 \"To speak of her as if her death is the culmination of the work, though, is to ignore her attention to death\u2019s vast and fecund opposite, rife with pleasure, with suffering.\"","thumbnail_url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2023\/10\/3gluck-cropped.jpg","thumbnail_width":1000,"thumbnail_height":977}