{"version":"1.0","provider_name":"The Paris Review","provider_url":"https:\/\/www.theparisreview.org\/blog","author_name":"Richie Hofmann","author_url":"https:\/\/www.theparisreview.org\/blog\/author\/rhofmann\/","title":"Making of a Poem: Richie Hofmann on \u201cArmed Cavalier\u201d by Richie Hofmann","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"lTHZIxnRZB\"><a href=\"https:\/\/www.theparisreview.org\/blog\/2023\/06\/14\/making-of-a-poem-richie-hofmann\/\">Making of a Poem: Richie Hofmann on \u201cArmed Cavalier\u201d<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.theparisreview.org\/blog\/2023\/06\/14\/making-of-a-poem-richie-hofmann\/embed\/#?secret=lTHZIxnRZB\" width=\"600\" height=\"338\" title=\"&#8220;Making of a Poem: Richie Hofmann on \u201cArmed Cavalier\u201d&#8221; &#8212; The Paris Review\" data-secret=\"lTHZIxnRZB\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"June 14, 2023 \u2013 \u201cI love the easy poems, poems that reveal themselves immediately, that feel heard and merely transcribed and not labored over thanklessly. It\u2019s hard to love the hard poems back.\u201d","thumbnail_url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2023\/06\/screenshot-2023-06-12-at-111525.png","thumbnail_width":2810,"thumbnail_height":1750}