{"version":"1.0","provider_name":"The Paris Review","provider_url":"https:\/\/www.theparisreview.org\/blog","author_name":"The Paris Review","author_url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/","title":"Redux: Backwards and Upside Down by The Paris Review","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"65yrmf0JMl\"><a href=\"https:\/\/www.theparisreview.org\/blog\/2021\/11\/16\/redux-backwards-and-upside-down\/\">Redux: Backwards and Upside Down<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.theparisreview.org\/blog\/2021\/11\/16\/redux-backwards-and-upside-down\/embed\/#?secret=65yrmf0JMl\" width=\"600\" height=\"338\" title=\"&#8220;Redux: Backwards and Upside Down&#8221; &#8212; The Paris Review\" data-secret=\"65yrmf0JMl\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"November 16, 2021 \u2013 We\u2019ve lowered the paywall on Blaise Cendrars\u2019s Art of Fiction interview, fiction by Shruti Swamy, poetry by Sharon Olds, an essay by Melissa Febos, and art by Francesca Woodman.","thumbnail_url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/unnamed.png","thumbnail_width":1000,"thumbnail_height":667}