{"version":"1.0","provider_name":"The Paris Review","provider_url":"https:\/\/www.theparisreview.org\/blog","author_name":"Elizabeth McCracken","author_url":"https:\/\/www.theparisreview.org\/blog\/author\/emccracken\/","title":"Revisited: Watson and the Shark by Elizabeth McCracken","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"tmcFAklmmg\"><a href=\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/21\/revisited-watson-and-the-shark\/\">Revisited: Watson and the Shark<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/21\/revisited-watson-and-the-shark\/embed\/#?secret=tmcFAklmmg\" width=\"600\" height=\"338\" title=\"&#8220;Revisited: Watson and the Shark&#8221; &#8212; The Paris Review\" data-secret=\"tmcFAklmmg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"February 21, 2019 \u2013 You can tell the painter is not overly acquainted with sharks. This one has the sensual lips of a movie villain and slanted, prominent nostrils. At the same time the shark is familiar, iconic, and it seems almost impossible that John Singleton Copley, son of Boston and portraitist of Paul Revere, among others, has not seen \u2018Jaws.\u2019","thumbnail_url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/02\/1200px-watsonandtheshark-original.jpg","thumbnail_width":1200,"thumbnail_height":952}