{"version":"1.0","provider_name":"The Paris Review","provider_url":"https:\/\/www.theparisreview.org\/blog","author_name":"Cody Delistraty","author_url":"https:\/\/www.theparisreview.org\/blog\/author\/cdelistraty\/","title":"Rethinking Schiele by Cody Delistraty","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"7jKrCo8dkg\"><a href=\"https:\/\/www.theparisreview.org\/blog\/2018\/12\/03\/rethinking-schiele\/\">Rethinking Schiele<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.theparisreview.org\/blog\/2018\/12\/03\/rethinking-schiele\/embed\/#?secret=7jKrCo8dkg\" width=\"600\" height=\"338\" title=\"&#8220;Rethinking Schiele&#8221; &#8212; The Paris Review\" data-secret=\"7jKrCo8dkg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"December 3, 2018 \u2013 The passage of time tends to either confirm the supposed transgressions of historical figures, or absolve them. But Egon Schiele, whose centenary is being celebrated at museums across the world, presents a particular lens through\u00a0which to think about the line between art and exploitation.","thumbnail_url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/12\/egon_schiele_standing_female_nude_with_blue_cloth_-copy.jpg","thumbnail_width":4486,"thumbnail_height":3893}