{"version":"1.0","provider_name":"The Paris Review","provider_url":"https:\/\/www.theparisreview.org\/blog","author_name":"Larissa Pham","author_url":"https:\/\/www.theparisreview.org\/blog\/author\/larissa-pham\/","title":"In Bed: The Mattress as Art by Larissa Pham","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"MsYMTN6kXe\"><a href=\"https:\/\/www.theparisreview.org\/blog\/2018\/11\/20\/in-bed-the-mattress-as-art\/\">In Bed: The Mattress as Art<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.theparisreview.org\/blog\/2018\/11\/20\/in-bed-the-mattress-as-art\/embed\/#?secret=MsYMTN6kXe\" width=\"600\" height=\"338\" title=\"&#8220;In Bed: The Mattress as Art&#8221; &#8212; The Paris Review\" data-secret=\"MsYMTN6kXe\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"November 20, 2018 \u2013 Larissa Pham's new monthly column,\u00a0Devil in the Details, will focus on single objects throughout art history.\u00a0In\u00a0this installment, she looks at beds through the lens of Sarah Lucas's exhibition \"Au Naturel,\" at the New Museum.\u00a0","thumbnail_url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/11\/selfish-in-bed-ii-1024x957.jpg","thumbnail_width":1024,"thumbnail_height":957}