{"version":"1.0","provider_name":"The Paris Review","provider_url":"https:\/\/www.theparisreview.org\/blog","author_name":"Anne Elizabeth Moore","author_url":"https:\/\/www.theparisreview.org\/blog\/author\/aemoore\/","title":"The Destabilizing Desire of Julie Doucet by Anne Elizabeth Moore","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"WK7mQYCzO1\"><a href=\"https:\/\/www.theparisreview.org\/blog\/2018\/10\/25\/the-destabilizing-desire-of-julie-doucet\/\">The Destabilizing Desire of Julie Doucet<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.theparisreview.org\/blog\/2018\/10\/25\/the-destabilizing-desire-of-julie-doucet\/embed\/#?secret=WK7mQYCzO1\" width=\"600\" height=\"338\" title=\"&#8220;The Destabilizing Desire of Julie Doucet&#8221; &#8212; The Paris Review\" data-secret=\"WK7mQYCzO1\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"October 25, 2018 \u2013 It\u2019s not hyperbole to suggest that Julie Doucet\u2019s comics changed history. Yet what\u2019s never been clear to anyone is how much the upending of the form was ever truly her intention.","thumbnail_url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/dirtyplotte_paris4.jpg","thumbnail_width":1000,"thumbnail_height":713}