{"version":"1.0","provider_name":"The Paris Review","provider_url":"https:\/\/www.theparisreview.org\/blog","author_name":"Larissa Pham","author_url":"https:\/\/www.theparisreview.org\/blog\/author\/larissa-pham\/","title":"Schiele, Shoes, and Kavanaugh by Larissa Pham","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"mb73LcPM3D\"><a href=\"https:\/\/www.theparisreview.org\/blog\/2018\/10\/01\/schiele-shoes-and-kavanaugh\/\">Schiele, Shoes, and Kavanaugh<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.theparisreview.org\/blog\/2018\/10\/01\/schiele-shoes-and-kavanaugh\/embed\/#?secret=mb73LcPM3D\" width=\"600\" height=\"338\" title=\"&#8220;Schiele, Shoes, and Kavanaugh&#8221; &#8212; The Paris Review\" data-secret=\"mb73LcPM3D\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"October 1, 2018 \u2013 What are we to make of art that thrills, titillates, and undoubtedly came from some kind of exploitation? How do we relate to work that came from the kind of imbalance of power that we have spent all of this year\u2014and decades prior\u2014working to correct?","thumbnail_url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/10102269_old_world_bold_bootie_pink_main.jpg","thumbnail_width":908,"thumbnail_height":689}