{"version":"1.0","provider_name":"The Paris Review","provider_url":"https:\/\/www.theparisreview.org\/blog","author_name":"Gabrielle Bellot","author_url":"https:\/\/www.theparisreview.org\/blog\/author\/gbellot\/","title":"The Tenuous Nonfiction of Clarice Lispector's Cr\u00f4nicas  by Gabrielle Bellot","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"i1eZX8K8sq\"><a href=\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/14\/tenuous-nonfiction-clarice-lispectors-cronicas\/\">The Tenuous Nonfiction of Clarice Lispector&#8217;s <em>Cr\u00f4nicas <\/em><\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/14\/tenuous-nonfiction-clarice-lispectors-cronicas\/embed\/#?secret=i1eZX8K8sq\" width=\"600\" height=\"338\" title=\"&#8220;The Tenuous Nonfiction of Clarice Lispector&#8217;s &lt;em&gt;Cr\u00f4nicas &lt;\/em&gt;&#8221; &#8212; The Paris Review\" data-secret=\"i1eZX8K8sq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"December 14, 2017 \u2013 \u201cI can feel the charlatan in me, haunting me,\u201d Clarice Lispector wrote in one of the cr\u00f4nicas, or newspaper columns, she composed each week from 1967 to","thumbnail_url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/12\/clarice-lispector2.jpg","thumbnail_width":1600,"thumbnail_height":957}