{"version":"1.0","provider_name":"The Paris Review","provider_url":"https:\/\/www.theparisreview.org\/blog","author_name":"Nicole Claveloux","author_url":"https:\/\/www.theparisreview.org\/blog\/author\/nclaveloux\/","title":"The Electrifying Dreamworld of The Green Hand by Nicole Claveloux","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"9ui3NP3Iwi\"><a href=\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/15\/electrifying-dreamworld-green-hand\/\">The Electrifying Dreamworld of <em>The Green Hand<\/em><\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/15\/electrifying-dreamworld-green-hand\/embed\/#?secret=9ui3NP3Iwi\" width=\"600\" height=\"338\" title=\"&#8220;The Electrifying Dreamworld of &lt;em&gt;The Green Hand&lt;\/em&gt;&#8221; &#8212; The Paris Review\" data-secret=\"9ui3NP3Iwi\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"November 15, 2017 \u2013 I\u2019ve been deeply in love with the work of Nicole Claveloux for close to forty years, which is strange because until the New York Review of Comics reissue","thumbnail_url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/screen-shot-2017-11-14-at-5.36.25-pm.png","thumbnail_width":1093,"thumbnail_height":644}