{"version":"1.0","provider_name":"The Paris Review","provider_url":"https:\/\/www.theparisreview.org\/blog","author_name":"Bernard H\u0153pffner","author_url":"https:\/\/www.theparisreview.org\/blog\/author\/bernard-hoepffner\/","title":"Straightening out Ulysses by Bernard H\u0153pffner","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"rCFfxSsNxc\"><a href=\"https:\/\/www.theparisreview.org\/blog\/2017\/07\/25\/straightening-out-ulysses\/\">Straightening out <em>Ulysses<\/em><\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.theparisreview.org\/blog\/2017\/07\/25\/straightening-out-ulysses\/embed\/#?secret=rCFfxSsNxc\" width=\"600\" height=\"338\" title=\"&#8220;Straightening out &lt;em&gt;Ulysses&lt;\/em&gt;&#8221; &#8212; The Paris Review\" data-secret=\"rCFfxSsNxc\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"July 25, 2017 \u2013 We\u2019re having more and more trouble working with global decisions when they deviate far enough from Joyce\u2019s original. Jacques explains how Ulysses\u2019s literary stakes are not only varied but at times contradictory.","thumbnail_url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/the_hapenny_bridge_dublin_-_samuel_frederick_brocas.jpg","thumbnail_width":1228,"thumbnail_height":810}