Rebecca Gates’s former band, the Spinanes, released their first album, Manos, in 1993. Indie pop was in its halcyon days, and Manos reached number one on the college charts. Like Elliott Smith and Lois Maffeo—her friends and colleagues in the Pacific Northwest music scene—Gates sang opaque, suggestive lyrics in a gentle and ruminative voice. But her dense guitar and Scott Plouf’s propulsive drums (they were a duo, with no bassist) were also inspired by punk. Strand, their 1996 follow-up, expanded their musical palette with experimental sounds and more complex instrumentation. After Plouf left the band, Gates moved to Chicago, where she recorded a third and final Spinanes album, 1998’s Arches and Aisles, with help from members of such simpatico post-rock bands as Tortoise and the Sea and Cake.