On this, the occasion of T. S. Eliot’s birth, it’s interesting to revisit (or, I should say, visit—if you didn’t happen to be around in 1965) his Times obituary. Especially this bit:
In his later years he had an office in London in the publishing house of Faber & Faber, of which he was a director. There he carried on his business, writing letters and articles, somewhat like the clerkish type he resembled.
In appearance he was then, as he was in early life, a most unlikely figure for a poet. He lacked flamboyance or oddity in dress or manner, and there was nothing of the romantic about him. He carried no auras, cast no arresting eye and wore his heart, as nearly as he could be observed, in its proper anatomical place.
His habits of work were equally “unpoetic,” for he eschewed bars and cafes for the pleasant and bourgeois comforts of an office with padded chairs and a well-lighted desk.
Talking of his work habits, he once said:
“A great deal of my new play, ‘The Elder Statesman,’ was produced in pencil and paper, very roughly. Then I typed it myself first before my wife got to work on it. In typing myself I make alterations, very considerable ones. But whether I write or type, composition of any length, a play for example, means for me regular hours, say 10 to 1. I found that three hours a day is about all I can do of actual composing. I could do the polish perhaps later.”
Eliot’s dress was a model of the London man of business. He wore a bowler and often carried a tightly rolled umbrella. His accent which started out as pure American Middle West did undergo changes, becoming over the years quite British U.
The U was complete and unfeigned. “I am,” he said stoutly, “an Anglo-Catholic in religion, a classicist in literature and a royalist in politics.”
Even so, his ascetic austerity drew the line at gin rummy, which he delighted to play of an evening. He also kept a signed photograph of Groucho Marx, cigar protuberant, in his study at home.
These touches lend credence to Eliot’s attempts in later years to soften some aspects of his credo. His religious beliefs, he asserted, remained unchanged and he was still in favor of monarchy in all countries having a monarch, but the term classicism was no longer so important to him.