Watching a film about Claude Cahun.
When Alan Pierson conducts, he stands with his feet together, sometimes springing onto his toes and then plunging forward at the waist. Other times, he takes a step forward, only to return immediately to his original spot. He is tall and thin, and his reedy build exaggerates his movements: he could be one of Robert Longo’s flailing suited men, but he is poised, like an exclamation mark.
He is conducting Alarm Will Sound onstage at Merkin Concert Hall as part of the Sonic–Sounds of a New Century Festival. He is also onscreen at the back of the stage, in a short film in which he conducts the same composition but without orchestra or audience. The live Alan Pierson conducts with his back to the audience in the hall, but onscreen he frequently appears frontally and in close-up, and his expression—of delectation and wonder—is fed by his body’s exuberant movements. Read More