- On Thursday, just as the Dow Jones closed at an all-time high, a first edition of Marx’s Das Kapital sold for $40,000.
- Searching for Orwell in Scotland: “I had come to Jura, a remote island on Scotland’s west coast, to find the solitude George Orwell had sought sixty-five years earlier to finish his classic, Nineteen Eighty-Four … [I] wanted to understand why a man so accustomed to city life had come to an inaccessible island of only 190 souls to find inspiration for a novel about totalitarianism in an urbanized state—why a writer at the peak of his celebrity ensconced himself in an austere farmhouse hidden in an inhospitable Scottish landscape.”
- Paola Antonelli is “one of MoMA’s most prominent, and provocative, curators”: “Petite and energetic, she is prone to fanciful descriptions of the world and its things—a verbal extension, perhaps, of a kind of object-oriented synesthesia. Design, to her, is everywhere … She has said that she believes ‘the age of design is upon us, almost like a rapture.’”
- In commissioned books of portraits like Matthäus Schwarz’s, from the sixteenth century, we can trace the origins of “self-fashioning”: “Schwarz’s Trachtenbuch (Book of Clothes) was clearly designed for display, and on the whole it paints him in a good light … it announces Schwarz as a person of taste, a supporter of his city and family, a courtly lover, and a well-rounded Renaissance man. It is also, arguably, one of the first fashion books, a distant progenitor of a Vogue lookbook, as it were.”
- John Wray profiles Nick Cave: “Cave’s public persona has been called ‘theatrical,’ but a more precise term might be cinematic. Like many self-mythologizers, charismatics and plain old eccentrics, he has always appeared to be performing in a movie only he himself could see.”
What does your favorite book from high school tell you about your life?
Tim Taranto hails from Upstate New York and attended Cornell. In addition to The Paris Review Daily, his work has appeared on the Rumpus and McSweeney’s Internet Tendency. Tim lives in Iowa City, where he is studying fiction at the Iowa Writers’ Workshop.
It was Tuesday and Mike Tyson was comparing himself to Machiavelli.
“After you kill the king,” he said, “you cut off his head and you be audacious. You say what you’re going to do to the next king. Speak foully.”
What great writer bears the most resemblance to Mike Tyson? At a talk at the New York Public Library, host Paul Holdengräber compared Tyson to Montaigne, Rousseau, and Orwell, all in the same breath. “Well, uh, that’s pretty profound,” said Tyson, who was there to promote his new memoir, Undisputed Truth. He might have had a different thinker in mind. “I think about Nietzsche a lot,” he writes in the book. Tyson the superman, a former petty criminal from Brownsville, Brooklyn, and the son of, as he put it, two people who “worked in the sex industry,” is by now a thoroughly American symbol. He found riches on the basis of physical strength and sheer willpower, then lost everything by the force of his scarred psyche. He’s currently aiming at the redemptive stage of his career. It isn’t the first time. He is tragic in a Greek kind of way. “I love war,” he told Holdengräber enthusiastically. “I love the players in war. I love the philosophy of war.” And he has the facial tattoos to prove it.
At the library, he walked the audience through the lineage of Frankish kings. He identifies with them because “they came from obscurity” and “I was born in obscurity and I never wanted to go back again.” Tyson is also an admirer of Pepin the Short, the first of the Carolingian rulers, a ruthless suppressor of revolts and the father of Charlemagne. At one point, he likened himself to Ben-Hur.
“Remember Ben-Hur?” Tyson said. “He became a wealthy man. He became a great conqueror for slaves. He became the best celebrity. And, wherever it was, he rescued the general of that ship, and after all that he couldn’t save his family. They put them with the lepers. His sister and his mother. Then he got his family from the lepers. He was a success.” There was a pause. “Look at success with me, myself.” Read More
- Kafka cameos in a Charmin toilet paper commercial; one of those incontinent bears is a fan, apparently.
- “But if the sort of world that I am afraid of arrives, a world of two or three great superstates which are unable to conquer one another, two and two could become five if the Führer wished it. That, so far as I can see, is the direction in which we are actually moving, though, of course, the process is reversible.” In a 1944 letter, George Orwell explains his reasons for writing 1984.
- The literally question is, in fact, more complicated than it seems; its misuse (this is known as a contronym) has been going on for centuries.
- Pioneering Swedish crime writer Maj Sjöwall says contemporary Scandinavian thrillers are are “not about police work and crime, but very much about love and relationships—like girls’ books.”