Andrew Pekler is an electronic musician based in Berlin; Resident Advisor has described his music as the “cold alien groove of a midnight jazz café reemerging in the world of clicks and bleeps.” I came to him by way of a video, “Composition No. 1 for Electronic Toothbrush, Voice, and Synthesizer,” in which he plays a Philips Sonicare toothbrush—with his mouth, in the usual way—to harmonize with a Moog Prodigy synthesizer. It’s an entrancing wash of beautiful, dentally hygienic sound.
Pekler works primarily from found materials. His latest album, Cover Versions, draws from the music and imagery of postwar exotica records—those kitschy aural forays to faraway lands, rife with congas, vibraphones, and theremins. With an eye toward a certain aesthetic, Pekler bought dozens of secondhand records and appropriated their music and their covers for his own work. Cover Versions was printed in a limited run of three hundred (all of them, alas, long since spoken for), each with its own individually designed cover; featured here are thirty of Pekler’s favorites. He explains his process: Read More