March 8, 2012 Books A Panorama of ‘Middlemarch’ By Jason Novak A ten-foot-tall panel illustrating the classic English novel by George Eliot. Click in and scroll down for the whole story. Read More
March 7, 2012 On the Shelf #JonathanFranzenHates, Nabokoving, and Other News By Sadie Stein Nabokoving. A cultural news roundup. “Once again, it’s that time of year when otherwise mature adults paint their faces in the palettes of their favorite book jacket designers, and all across Facebook college kids post pictures of themselves Nabokoving. Yes, we’re talking about book awards season.” Happy birthday, John Updike! Happy birthday, Douglas Adams! Geoff Dyer on “bunking off.” With friends like these, Saul Bellow didn’t need enemies. Elizabeth Bowen and Jean Rhys get the “blue plaque treatment” in London. Stephen King: “The idea that a writer can bring his core audience into the tent with a blurb … you might as well try herding cats.” The fact that Truman Capote wrote Breakfast at Tiffany’s here is a selling point. The fact that it has eighteen rooms doesn’t hurt, either. Footnotes upon footnotes in Footnote. “Eggers named his journal after McSweeney before he knew anything about the man, and didn’t discover his identity until after McSweeney died in January 2010 at age sixty-seven.” The famously combative Ben Jonson. Jonathan Franzen: “Twitter is unspeakably irritating. Twitter stands for everything I oppose … it’s hard to cite facts or create an argument in 140 characters … it’s like if Kafka had decided to make a video semaphoring The Metamorphosis. Or it’s like writing a novel without the letter ‘P’… It’s the ultimate irresponsible medium … People I care about are readers … particularly serious readers and writers, these are my people. And we do not like to yak about ourselves.” #JonathanFranzenHates
March 7, 2012 On Sports Double Fault By A-J Aronstein Three months before I was born, my father bought an eight-court outdoor tennis club on three acres of land in New Rochelle, New York. The club sits at the bottom of what amounts to a gully, down the block from a swampy lily pond that overflows during thunderstorms and floods the basements of the handsome Tudor homes in the neighborhood. The courts themselves are made of a material called Har-Tru, a gray-green clay that smells like a mixture of coffee grounds and fresh-cut grass. It’s soft and easy on the knees, perfect for middle-aged investment bankers and ad executives but more difficult to maintain than hard courts. When it rains, the material softens, expands like a sponge, and turns into a shallow lake. During dry spells, it gets chalky and swirls around on warm breezes. Like lunar dust, Har-Tru sticks to everything. It gunks up sneakers, stains white tennis shorts, and accumulates in socks. As a kid, over the course of a given summer, I’d transfer an entire court’s worth of Har-Tru to our living room. The courts were our family’s livelihood; their quality was a matter of pride for my father. Like a farmer who knows the precise chemical composition of the soil in his fields, he could step out on the courts, sniff the air, and know whether to water them or let them bake in the sun. He never read weather reports (he called weathermen “crooks”) but developed meteorological instincts. He sensed drops in barometric pressure and intuited the approach of autumnal cold fronts. “Rain’s coming,” he’d say, looking out over the courts like an Oklahoman homesteader. Even when I went south to the University of Virginia, I found Har-Tru waiting for me. The company that manufactures it boasts on their homepage that Har-Tru comes from “billion-year-old Pre-Cambrian metabasalt found in the Blue Ridge Mountains.” I could have walked to their corporate headquarters from the center of campus. Charlottesville has brilliant sunsets thanks to the airborne coal dust carried on the wind from mines in West Virginia. I couldn’t help but stare at yellow-orange-pink skies over the Blue Ridge in autumn and think, Look at all that Har-Tru. Read More
March 6, 2012 Events Two ‘Paris Review’ Events Not to Be Missed By The Paris Review This week, The Paris Review takes over New York! Tonight, editor Lorin Stein will be at McNally Jackson with Sarah Manguso to discuss her new book, The Guardians: An Elegy. David Shields rhapsodized that The Guardians “is very pure and elemental, and I wanted nothing coming between me and the page.” Don’t let anything stand in your way, either; stoke your excitement for the discussion by reading our excerpt of the book here! Then, on Friday, Geoff Dyer and John Jeremiah Sullivan, both contributors to our two-hundredth issue, discuss their books Zona and Pulphead at 192 Books. A man whom Zadie Smith dubbed a “national treasure” and our Southern editor in one room? We can’t imagine anything better. We hope to see you there! Sarah Manguso in Conversation with Lorin SteinMarch 6, 7 P.M.Location: McNally Jackson52 Prince StreetNew York, NY 10012 Geoff Dyer in Conversation with John Jeremiah SullivanMarch 9, 7 P.M.Location: 192 Books192 10th AvenueNew York, NY 10011RSVP only. To reserve your spot, call 212-255-4022.
March 6, 2012 At Work Hari Kunzru on ‘Gods Without Men’ By Amitava Kumar Hari Kunzru’s latest novel, Gods Without Men, is being released in the U.S. today. Set in the Mojave Desert, the novel is an echo chamber for stories divided across more than two centuries. The clever symmetries that link the stories reveal the bleached bones of American identity—racial mixing, violence, an unending contest over the politics of meaning and faith. This is Kunzru’s fourth novel; his debut, The Impressionist, appeared in 2003 and was followed by Transmission (2004) and My Revolutions (2007). I conducted this interview by e-mail, but I saw Kunzru only a few weeks ago, in late January, at the Jaipur Literature Festival. He had done a public reading from Salman Rushdie’s The Satanic Verses , a book banned in India since its publication more than two decades ago. Rushdie had been scheduled to appear at the festival but, because of threats to his life, decided to stay away. When I last saw Kunzru, it was close to midnight and he was making calls to lawyers overseas. He had been informed that he was facing arrest. The next day, on legal advice, Kunzru left the country. The first time I read about you, you were described as having “a nonspecifically exotic appearance” that marked you “as a potential native of about half the world’s nations.” How do you usually explain your origins? I was born in London. Depending on who I’m talking to, and how I feel, I might describe myself simply as a Londoner, British (that one’s only crept in since I came to live in New York—to anyone in the UK, it’s weirdly meaningless), English, the son of an Indian father and an English mother, Kashmiri Pandit, rootless cosmopolitan … Read More
March 6, 2012 Bulletin Join Us for Our 2012 Spring Revel By Sadie Stein Our annual gala, the Spring Revel, brings together writers and friends of the magazine to share in an evening of cocktails, dinner, music, talk, and, all-around revelry. Just last year Women’s Wear Daily called this venerable tradition “the best party in town”—and who are we to argue with WWD? This year’s going to be especially … revelrous, because we’re celebrating the two hundredth issue of The Paris Review. Comedian David Cross (Arrested Development, etc.) will give the Terry Southern Prize for Humor. Mona Simpson will give the Plimpton Prize for Fiction. Zadie Smith will present Robert Silvers, cofounder and editor of The New York Review of Books (and our sometime Paris editor), with the Hadada Prize for a “unique contribution to literature.” Our Benefit Chairs are Chris Hughes, cofounder of Facebook, and his fiancée Sean Eldridge, President of Hudson River Ventures and Senior Adviser at Freedom to Marry. We’d love to see you there! Tickets and tables are available in The Paris Review’s store.