January 17, 2014 Arts & Culture The Beetle and the Fly By David Cronenberg From the original cover of Kafka’s Die Verwandlung, 1915. I woke up one morning recently to discover that I was a seventy-year-old man. Is this different from what happens to Gregor Samsa in The Metamorphosis? He wakes up to find that he’s become a near-human-sized beetle (probably of the scarab family, if his household’s charwoman is to be believed), and not a particularly robust specimen at that. Our reactions, mine and Gregor’s, are very similar. We are confused and bemused, and think that it’s a momentary delusion that will soon dissipate, leaving our lives to continue as they were. What could the source of these twin transformations possibly be? Certainly, you can see a birthday coming from many miles away, and it should not be a shock or a surprise when it happens. And as any well-meaning friend will tell you, seventy is just a number. What impact can that number really have on an actual, unique physical human life? In the case of Gregor, a young traveling salesman spending a night at home in his family’s apartment in Prague, awakening into a strange, human/insect hybrid existence is, to say the obvious, a surprise he did not see coming, and the reaction of his household—mother, father, sister, maid, cook—is to recoil in benumbed horror, as one would expect, and not one member of his family feels compelled to console the creature by, for example, pointing out that a beetle is also a living thing, and turning into one might, for a mediocre human living a humdrum life, be an exhilarating and elevating experience, and so what’s the problem? This imagined consolation could not, in any case, take place within the structure of the story, because Gregor can understand human speech, but cannot be understood when he tries to speak, and so his family never think to approach him as a creature with human intelligence. (It must be noted, though, that in their bourgeois banality, they somehow accept that this creature is, in some unnamable way, their Gregor. It never occurs to them that, for example, a giant beetle has eaten Gregor; they don’t have the imagination, and he very quickly becomes not much more than a housekeeping problem.) His transformation seals him within himself as surely as if he had suffered a total paralysis. These two scenarios, mine and Gregor’s, seem so different, one might ask why I even bother to compare them. The source of the transformations is the same, I argue: we have both awakened to a forced awareness of what we really are, and that awareness is profound and irreversible; in each case, the delusion soon proves to be a new, mandatory reality, and life does not continue as it did. Read More
January 17, 2014 Look A Resident of Sipswich, MA By Timothy Leo Taranto This week, we’re presenting Timothy Leo Taranto’s illustrated author puns. Today, the final entry: John Cupdike Tim Taranto hails from Upstate New York and attended Cornell. In addition to The Paris Review Daily, his work has appeared on the Rumpus and McSweeney’s Internet Tendency. Tim lives in Iowa City, where he is studying fiction at the Iowa Writers’ Workshop.
January 17, 2014 On the Shelf Cinema’s Most Realistic Psychopath, and Other News By Dan Piepenbring Still from No Country for Old Men, 2007. The Gordon Lish Bot is trolling Twitter, demanding that writers craft their 140 characters more meticulously. It’s fine invective, but masochists will wish for the sting of the real thing. Science has cast its formidable gaze on movie psychopaths, declaring No Country for Old Men’s Anton Chigurh the most “realistic.” And yet no one, living or dead, has ever dared to sport that haircut. The curiously robust posthumous life of V. C. Andrews. Lewis Carroll’s “Wise Words About Letter-Writing” still apply in the lawless land of electronic mail. This introduction to Korean alphabet art is full of colorful translations: “Using a dustpan, the black mountain is split to form letters, and then the canvas is propped up vertically, and stains caused by gravity are left behind.”
January 16, 2014 Quote Unquote A Creator of Inwardness By Dan Piepenbring Photograph by Peter Hujar. Susan Sontag was born today in 1933. INTERVIEWER Is it old-fashioned to think that the purpose of literature is to educate us about life? SONTAG Well, it does educate us about life. I wouldn’t be the person I am, I wouldn’t understand what I understand, were it not for certain books. I’m thinking of the great question of nineteenth-century Russian literature: how should one live? A novel worth reading is an education of the heart. It enlarges your sense of human possibility, of what human nature is, of what happens in the world. It’s a creator of inwardness. —Susan Sontag, the Art of Fiction No. 143
January 16, 2014 First Person, Our Daily Correspondent West Side Story By Sadie Stein Image: Design of Signage I like my psychiatrist, but I often find that occupying fifty minutes with an account of my tedious life feels like a high price to pay for responsible prescription. “Do you try to make him laugh?” my dad asked, when he picked me up from my first-ever appointment. “Do you want to be his favorite patient?” (My dad visited a therapist briefly in the 1970s, hence his expertise.) I explained loftily that this was a medical situation and not like that at all, and that the doctor had been amazed that with my family history I had never been treated before. Then I admitted that yes, of course I wanted to be his favorite. “When I saw my guy,” said my dad, “I sang to him.” And he began to sing, very beautifully, to the tune of the Love Story theme, Dog food is the kingI wish it weren’t but I can’t do anythingIt’s so damn good it even makes the sparrows singAnd grown men weep and angels cry. There was a moment of silence. “What did he do?” I asked. “He made me turn around so I wasn’t playing to his reaction all the time and had to actually engage.” Read More
January 16, 2014 Look He Did, After All, Attend the Tuskegee Institute By Timothy Leo Taranto This week, we’re presenting Timothy Leo Taranto’s illustrated author puns. Today: Ralph Elliphant