The life, times, and meteorological theories of Josep Pla.
“I’ve attended the procession of my country with a match in hand. Not an altar candle, not a torch, not a candlestick, but a match.”
Josep Pla (1897–1981) is a controversial figure in Catalan letters, and a well-kept secret of twentieth century European literature. If Barça is more than just a football club, then Pla—a political and cultural journalist, travel writer, biographer, memoirist, essayist, novelist, and foodie, whose collected works clock in at more than thirty-thousand pages and thirty-eight volumes—was more than just a writer.
Now that his deceptively simple, earthy prose and mordant sense of humor are available to American readers, the best way to read Pla is to curl up with a crisp glass of cava and a few spears of white asparagus. It’s impossible to read Josep Pla and not fall in love with his Mediterranean landscape. His native Empordà, with its mushroom-laced winds and its hint of burnt cork, mesmerizes.
Pla’s most important work, The Gray Notebook, is out now in a graceful translation by Peter Bush; the Daily published an excerpt yesterday. In the spirit of a bildungsroman and the form of a diary, the narrative chronicles 1918 and 1919, two crucial years in young Pla’s life. It captures the raucous energy of a precocious country boy who falls on his feet in the city, full of the spit and vinegar of youth. These were ebullient years in turn-of-the-century Barcelona; the city saw the first roiling curls of the belligerence that would lead to the Spanish Civil War, giving The Gray Notebook a tang of dramatic irony. But Pla’s masterpiece wasn’t actually published until 1966, after he had rewritten and reworked the material from his earlier diaries—a process similar to that of Proust, who returned to material written during Swann’s Way to fashion Time Regained. Read More