January 25, 2019 One Word One Word: Boy By Bryan Washington In our new column One Word, writers expound on a single word. William Lindsay Windus, The Black Boy, 1844 I’ve worked a lot of jobs where I’ve dealt with boys. Lately, I’ve been teaching conjugation and sentence structure to junior high kids, swaths of whom are just flexing the boundaries of their boyhood. They ask a lot of questions. One little dude, from Puerto Rico, wonders how many light bulbs there are in the building. One boy, another brown kid, asks me whether Houston will survive the inevitable floods brought about by global warming. And another boy, a little older, during an SAT excerpt featuring Anna Karenina, asks about the legality of queer marriage in Russia, before also asking whether I think he can hack into the building’s Wi-Fi, did I know that he can floss, do I listen to Gucci Mane, can I loan him some money for Fortnite. They’re just boys. And that word—boy—is pretty interesting in itself: it embodies a phase of life and a physical state and a way of being. Boy is garçon. Boy is chico y niño. The distance between boy and man is elastic, and the word itself is just as flexible. Nearly every culture has some sort of ritual transition out of boyhood: bar mitzvahs for Jewish folks, cow jumping among the Hamar in Ethiopia, Seijin-no-Hi in Japan. A first gig. A first kiss. A first beer. And the word’s weight adopts fluidity as it drifts from mouth to mouth: when my aunt calls me boy, in a sprawling patois, it’s not the same boy I’ve heard on fuck knows how many crowded street corners, at whatever ungodly hour. That boy comes after I’ve said something dumb or needlessly contentious or unspeakably obvious. Boy like, Really nigga? Boy like, Slow your roll. Boy like, Bruh; like, Fuck outta here; like, Your assertion is wildly improbable, but my acquiescence to your instigations are an integral part of our friendship’s contract. Read More
December 26, 2018 Best of 2018 A Darker Canvas: Tattoos and the Black Body By Bryan Washington We’re away until January 2, but we’re reposting some of our favorite pieces from 2018. Enjoy your holiday! One time in New Orleans, during an annual music festival organized by Essence magazine, a lady flagged me down from her car. I was walking through the French Quarter. The air was sufficiently drenched. In a neighborhood that has been steadily losing black folks, the block was suddenly full of us—glowing in bright clothes, and laughing entirely too loud. But this woman was pretty pissed. When I reached her window, she gave me another nod. She squinted at my tattoos, and asked where the nearest parlor was. “But one for us,” she said. “I’ve already been to four today.” I pointed her to a guy I knew, up the road and around the corner. When she asked if he was black, I winced, because he was not. “He’s good though,” I said. “I mean it. He’s done me twice.” The lady looked deeply skeptical. But then she said, “Okay.” “Listen,” she continued. “I don’t know about that. But I’m going to trust you.” Read more >>
February 1, 2018 Arts & Culture A Darker Canvas: Tattoos and the Black Body By Bryan Washington One time in New Orleans, during an annual music festival organized by Essence magazine, a lady flagged me down from her car. I was walking through the French Quarter. The air was sufficiently drenched. In a neighborhood that has been steadily losing black folks, the block was suddenly full of us—glowing in bright clothes, and laughing entirely too loud. But this woman was pretty pissed. When I reached her window, she gave me another nod. She squinted at my tattoos, and asked where the nearest parlor was. “But one for us,” she said. “I’ve already been to four today.” I pointed her to a guy I knew, up the road and around the corner. When she asked if he was black, I winced, because he was not. “He’s good though,” I said. “I mean it. He’s done me twice.” The lady looked deeply skeptical. But then she said, “Okay.” “Listen,” she continued. “I don’t know about that. But I’m going to trust you.” Read More
August 15, 2017 First Person Exit Strategy: A Letter from Belize By Bryan Washington You can’t really escape your problems at home. Mara Sánchez-Renero, El Cimarrón y su Fandango: Threshold, 2014. From Almanaque Fotografía’s exhibition, “Júpiter XL.” Most summers for the past few years, I’ve worked in contracting. Sometimes it takes me places: usually the northwestern states or patches around the South. Last month, I spent a weekend shuttling around Wisconsin, where I didn’t see another person of color for about three days. But the morning before I flew back to New Orleans, I ran into a Nigerian lady tending bar in La Crosse. She was holding court at this diner decked out with WE WELCOME IMMIGRANTS! stickers. We were equally shocked to have found each other. Flying into Belize City this month, on the other hand, damn near everyone was black or brown. I knew what most Americans know about the country, which is nothing. The plane touched down just beside the Western Highway, alongside the miles of marshland surrounding the city’s outskirts. The airport flanked a mostly dirt road, lined with signs calling for abstinence and grace. Belize is predominantly English speaking. Nearly half of its population is multilingual, and many speak Kriol, the local patois. Most of the country remains undeveloped. Charles Portis called it a “beautiful blue map with hardly any roads to clutter it up,” and folks fly down from wherever to see the Mayan ruins scattered throughout the country. Or they’ll lounge around Caye Caulker. Or they’ll fuck around with the reefs strafing the Caribbean Sea. When the rental-car guy asked me which I was here for, I told him neither, and his eyebrows kick-flipped from his face. Read More
June 12, 2017 First Person Proud, Prouder, Proudest By Bryan Washington New Orleans during Pride Week, 2016. Photo: Tony Webster It was Pride Week in New Orleans. The parade had just ended. I spent the evening getting blitzed under a balcony, stepping through polyrhythms in tandem with seventy thousand other men and women. Afterward, the audience broke off, in various stages of undress, to porches and curbsides throughout the French Quarter, until the road was strewn with beads and condoms and go-cups. It happens every year. New Orleans has a ton of queer households on the census. It’s a pretty colorful city. And inevitably, those colors deepen in June, when Pride Week comes around: the clubs host parties funded by globalized sex apps, tiny drunken congregations bloom all over the Quarter, and the week climaxes with a march the final evening. And then brunch, or, depending on your persuasion, maybe a little more. But even if the city moonlights as a Babylon of the South, it can also be a dangerous place to go out. Loads of murders go unsolved annually in New Orleans. At least two this year have involved transgender women of color. Assaults in the loop of gay bars by Bourbon Street are hardly unheard of, and the city isn’t at all removed from the South’s virulent thread of hatred. But when the parade turned the corner of Conti Street, those facts hardly diminished its tremors; and, in a town that isn’t terribly diverse, you were suddenly as likely to find yourself grinding on some Canadian kid as a flock of Iranian bears. Read More
April 24, 2017 First Person A Nice Crowd By Bryan Washington The blessings of the spectator sport. Grace Ndiritu, Post-Hippie Pop-Abstraction: Competition (detail), 2015. Courtesy the artist and Klowden Mann. Yesterday afternoon, I was halfway through a bowl of menudo when Lionel Messi scored his first goal in El Clásico, the semiannual soccer match between FC Barcelona and Real Madrid. The game is one of the globe’s most-watched sporting events, and I watch it every year, but this was my first time catching it in New Orleans. I’d landed in a Mexican restaurant in Mid-City, where some families loafed around me and some waiters loafed around them. Immediately after Messi whiffed his ball between the posts, this guy in chinos flew through the restaurant’s doors, looked up at the score, and groaned. Messi’s shot looked beautiful, as it usually does. The guy in the doorway squinted at me, and I squinted back. A momentous thing had just happened, and we were on opposite sides of the argument, but no foghorns erupted and the kitchen’s ovens didn’t implode. The guy joined a sleepy family nestled under a mural of Guadalajara. The kid manning the register dinged a bell in supreme disgust. There wasn’t any cause for alarm, or even palpable excitement, but we were conjoined in a moment, and the game took on a physical significance—it became a whole and solid thing. Read More