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THE PARIS REVIEW No. 170 Summer 2004 |
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An Art of Fiction interview with Haruki Murakami. Even now, my ideal for writing fiction is to put Dostoevsky and Chandler together in one book.
Paula Fox on art and chaos: I think its not helpful to overpsychologize. It substitutes for the chaos that most of us live in.
Stories by Nathaniel Bellows, Melvin Jules Bukiet, and Mary-Beth Hughes. Poems by Sandra McPherson and W. S. Merwin. |
| TABLE OF CONTENTS |
| INTERVIEW |
| Paula Fox, The Art of Fiction No. 181 | | Haruki Murakami, The Art of Fiction No. 182 |
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| FICTION |
| Nathaniel Bellows, First Four Measures | | Rick DeMarinis, Why the Tears, Miss Earhart? | | Mary-Beth Hughes, Pelican Song | | Ignacio Padilla, The Furies of Menlo Park |
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| FEATURE |
| Paula Fox, Paris: 1946 |
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| POETRY |
| Spring Melody Berman, Two Poems | | Murray Bodo, St. Francis and the Damietta Prostitute | | Billy Collins, Freud | | Monica Ferrell, Four Poems | | Jeremy Glazier, Two Poems | | Stefania Heim, Roccasicura | | Colette Inez, Como Pantoum | | David Kirby, The Laughter of Pigs | | Sandra McPherson, Officer and Gentleman and a Small Heroic Order | | W. S. Merwin, Two Poems | | Gary Mitchner, Two Poems | | Kathleen Peirce, Datura | | Danielle Pieratti, Five Poems | | Luigi Pirandello, Two Poems | | James Richardson, All the Ghosts | | Stephen Sandy, State Farm Insurance | | Craig Morgan Teicher, Two Poems | | Meredith Trede, During the Reading of the Poem Wherein Billy C Disrobes Emily D | | Lauren Wilcox, The Moving-Picture Principle |
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| ART |
| Roger Ballen, Shadow Chambers | | Andreas Gursky, Rimini |
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