by lamplight, right
arm free to wield the single-bladed
pick (no room
for a backswing). Columns
of ragstone left to support
the ceiling, which, when near collapse,
emits a telltale series of clicks,
the quarryman then retreating but
no faster than
the knocking down of columns
will allow. The broken ceiling,
hauled in barrows to the
surface, they call
Collyweston slate. The clicks?
That part they call talking.
To read the rest of this piece, purchase the issue.
Roberto Bolaño, The Third Reich: Part I
Ann Beattie, The Art of Fiction No. 209
Janet Malcolm, The Art of Nonfiction No. 4
Various Authors, Five Poems of Kabbalah
Stephen Dunn, Leaving the Empty Room
Linda Gregerson, Slaters’ Measure
John Jeremiah Sullivan, Unnamed Caves
Édouard Levé, When I Look at a Strawberry, I Think of a Tongue