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Posts Tagged ‘writers at work’

Helen DeWitt on The Last Samurai

June 8, 2016 | by

Inspired by our famous Writers at Work interviews, “My First Time” is a series of short videos about how writers got their start. Created by the filmmakers Tom Bean, Casey Brooks, and Luke Poling, each video is a portrait of the artist as a beginner—and a look at the creative process, in all its joy, abjection, delusion, and euphoria.

This installment features Helen DeWitt, who discusses her debut novel, The Last Samurai, published in 2000. After seven years of writing unfinished novels, DeWitt decided to quit her job as a legal secretary and devote herself to finishing one book. “I thought, I just I have to quit until my money runs out … I’m going just to sit down and do nothing but work on this book, and I’m going to finish it in a month. Then I will have a finished book, and, see, it doesn’t matter what happens then.” Read More »

Now Online: Our Interviews with Gordon Lish and Jane & Michael Stern

May 4, 2016 | by

Spring is still gray, but we have some news that might help make it less so: both interviews from our Winter 2015 issue—with Gordon Lish and Jane and Michael Stern—are now available in full online.

Gordon Lish outside the Esquire offices, in New York, ca. 1970. Photo by Bud Lee.

Gordon Lish outside the Esquire offices, in New York, ca. 1970. Photo by Bud Lee.

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Win Free Tickets: Nathaniel Mackey and Cathy Park Hong

April 18, 2016 | by

Nathaniel Mackey.

This Wednesday, April 20, join us at 92Y’s Unterberg Poetry Center, where Cathy Park Hong will interview Nathaniel MackeyTheir talk will appear in a future issue of The Paris Review, but you can hear it here first. Read More »

Jeffrey Eugenides on The Virgin Suicides

April 13, 2016 | by

Inspired by our famous Writers at Work interviews, “My First Time” is a series of short videos about how writers got their start. Created by the filmmakers Tom Bean, Casey Brooks, and Luke Poling, each video is a portrait of the artist as a beginner—and a look at the creative process, in all its joy, abjection, delusion, and euphoria.

Today’s featured writer is Jeffrey Eugenides, who discusses his debut novel, The Virgin Suicides, published in 1993. (An early installment appeared in the Review’s Winter 1990 issue.) “I wrote two hours every night, and on the weekends I would spend four hours,” he says. “Each book that you write, you swim a long way from the piers at a certain point—you just don’t know what’s going to happen. If I learned anything with The Virgin Suicides, I just learned if you keep going, you’ll figure out how to shape the thing.”

Be sure to watch the previous interviews in the series:

“The Work Is Full of Ghosts”: An Interview with Pat Barker

April 8, 2016 | by

At 92Y’s Unterberg Poetry Center, The Paris Review has copresented an occasional series of live conversations with writers—many of which have formed the foundations of interviews in the quarterly. Recently, 92Y and The Paris Review have made recordings of these interviews available at 92Y’s Poetry Center Online and here at The Paris Review. Consider them deleted scenes from our Writers at Work interviews, or directors’ cuts, or surprisingly lifelike radio adaptations.

This week we’ve debuted four new recordings from the series. Today, the last of the bunch: Pat Barker, author of the Regeneration Trilogy, who spoke with Michael Gorra on April 16, 2001. This interview was never adapted for the Review’s Writers at Work series, so what you hear has been essentially buried for the past fifteen years. From the start, Barker discusses why she disdains being considered a “gritty, working-class” writer because of her hailing from Northern England, and how fiction can help readers face “the past that’s not even past”: Read More »

“Consuming All the Crystals”: An Interview with Norman Mailer

April 7, 2016 | by

At 92Y’s Unterberg Poetry Center, The Paris Review has copresented an occasional series of live conversations with writers—many of which have formed the foundations of interviews in the quarterly. Recently, 92Y and The Paris Review have made recordings of these interviews available at 92Y’s Poetry Center Online and here at The Paris Review. Consider them deleted scenes from our Writers at Work interviews, or directors’ cuts, or surprisingly lifelike radio adaptations.

This week we’re debuting four new recordings from the series. Today, listen to Norman Mailer, who talked with George Plimpton on May 11, 1998. Though Mailer has been interviewed twice for the magazine—first in 1964 and later in 2007—this is one of the rare 92Y conversations that never made it to print, making it all the more interesting. Mailer talked about chair preference (“I like a hard chair when I write. Because I fall asleep in a soft one”), casting Plimpton in a movie, and why he didn’t write about his childhood: Read More »