Lessons from a building in Shanghai.
Among Shanghai’s many architectural gems is a sprawling, curved edifice that was once the largest apartment building in Asia, a building that more than half a century ago played a role in saving many thousands of lives. It’s set just on the north side of Suzhou Creek, a small river whose course has been hemmed in by concrete, and whose polluted contents are still routinely netted by illegal fishermen—mostly, to judge by their catch, in search of the famous Shanghai hairy crab. On the southern bank, there’s a small section of a walking path, which in the fall is hung with the heavy sweet fragrance of osmanthus blossoms, and which attracts elderly taiji practitioners, smoking office workers out for their lunch break, young couples, and a lone tenor saxophonist, who shows up every morning before eight and doesn’t leave until just before dark. Behind them is the heavy stone architecture of the Bund and a pair of neon gods, the Oriental Pearl Tower and the gigantic trapezoidal Shanghai World Financial Center, the world’s eighth tallest skyscraper.
All this I can observe from a window overlooking the creek, the only window in my tenth-floor studio. The unrenovated apartments are stacked up next to one another, so only the apartments on the ends and around the curved courtyard have more than one window. The building draws breezes through central airshafts that have cleverly been left open, providing essential ventilation in the muggy Shanghai summers. People stack plants on the sills there and hang their laundry to dry in the spiraling wafts from below. Read More