Posts Tagged ‘workplaces’
September 7, 2016 | by Dan Piepenbring
- The secret’s out: I’m writing this in my underwear, from my bedroom. I reveal this hideous truth to make a point about the nature of the workplace today—that it is everywhere, and that today’s “knowledge worker” can perform his functions from anyplace in the world, as long as there are pour overs available and chic quasi-industrial design aesthetics around. As Miya Tokumitsu and Joeri Merijn Mol argue, “It is always anytime. And anytime is check-in time … Wherever you are, you respond to the most urgent requests and make sure to nowhere yourself by deleting your ‘sent from my iPhone’ signature. You could be at your desk already, right? No one needs to know that you are two blocks away. You don’t want to convey that you are on the run and not giving them your full attention. So with some digital camouflaging you say: I am in a place where I can give you due consideration. At no point are we on the train, in a café, in bed, in the restroom … Airspace is essentially diffused workspace because the office has become a mobile home. We take it with us everywhere we go.”
- Hey, you wouldn’t, by some chance, have happened to see a bunch of letters between Hemingway, Fitzgerald, and Morley Callaghan about a 1929 boxing match in which Callaghan kicked Hemingway’s ass, would you? If you have seen those letters, can you get in touch with David Mason? He’s been looking for them since 1993: “After receiving the books and letters, I locked them in a store safe. When I opened my shop the next day, I was shocked to discover the safe had been cracked. Except for the letters, very little else of value was taken; it seems clear the thieves were after those artifacts specifically. The case grew stranger when a street criminal was arrested with one of the stolen postcards from the lot in his possession. Soon after confessing that he was part of the crew who robbed the store, he was found dead in his cell—a puzzling suicide. Upon his death, the case went cold.”
April 15, 2014 | by Dan Piepenbring
- Donna Tartt’s The Goldfinch has won the Pulitzer Prize for Fiction.
- John Jeremiah Sullivan’s latest piece is a masterful look at two musicians who have fallen into obscurity: “In the world of early-20th-century African-American music and people obsessed by it … there exist no ghosts more vexing than a couple of women identified on three ultrarare records made in 1930 and ’31 as Elvie Thomas and Geeshie Wiley.”
- A statistical analysis of the paintings of Bob Ross. (Ninety-one percent contain at least one tree; 39 percent contain at least one mountain; 21 percent contain cumulus clouds.)
- Taking stock of today’s art world: “The artist has undergone an enormous increase in value, to the point of idolization. But success has come at a high price, with the power of the art system, the adjustment to taste guidelines, and the dependence on galleries and curators. To create something new all one’s own, while remaining in the game, is a balancing act that only few succeed at mastering.”
- An interview with Black Dog Bone, the founder, publisher, and editor-in-chief of Murder Dog, hip-hop’s most “potent” underground magazine.
- “The original designs for the cubicle came out of a very 1960s-moment; the intention was to free office workers from uninspired, even domineering workplace settings.”