Posts Tagged ‘William Styron’
April 4, 2013 | by Sadie Stein
March 20, 2013 | by Sadie Stein
- The banning of Persepolis in Chicagoland schools has, in the grand tradition, boosted the graphic novel’s (already robust) sales.
- “I have only one humble criticism. I wonder if you realize how good you are.” Mutual admiration letters betwixt authors (and yes, the unsolicited humble criticism is Mailer to Styron).
- “Philip Roth celebrated his eightieth birthday in the Billy Johnson Auditorium of the Newark Museum last night with the most astonishing literary performance I’ve ever witnessed.” David Remnick was there.
- “There is no modernist stream-of-consciousness novel harder to get through than a publisher-author agreement.” And other things every writer should know.
- Edinburgh’s Looking Glass Books: we want to go to there.
December 7, 2012 | by William Styron
To George Plimpton
December 1, 1953 Ravello, Italy
Herewith the interview, revised and expanded. I think that in the future it might be a good idea for you to get a tape-recorder for these darn things, because it’s a bitch of a job for the interviewee to edit his own words. Now you will note that I did not completely eliminate all the first part; as a matter of fact I retained the bulk of it, but made quite a few changes and emendations. I think it’s better now, certainly printable. Besides all the additions, you will notice I made a few eliminations. I cut out a few of the cuss-words, which were all too abundant. I cut out the cracks against little Truman and Anthony West, who God knows deserves them, but they seemed a little in poor taste. I also tempered my criticism of Faulkner. I have tried to keep the tone impersonal and conversational throughout, and I think that I’ve succeeded.
You will notice, too, that I’ve taken your suggestion and have added quite a bit toward the end. I hope you will find the questions—some of which are yours—and answers suitable; at least the piece is considerably lengthened, and I’ve gotten off my chest a few things I’ve wanted to say. One important thing is that I think you must somehow invent a little atmosphere to surround the piece. It’s mighty bare without any stage directions, and I think if you place the thing right where the original interview started, in the Café Select, or some equivalent, it will provide a suitably bibulous background.
December 5, 2012 | by William Styron
To Norman Mailer
June 1, 1953 Rome, Italy
I note that you began your last letter: “I’ve been kind of depressed lately,” and by way of preface to this letter I should say that I’ve been both depressed and elated since you last heard from me—elated at having just married a most admirable girl (perhaps you’ve gotten an announcement) and depressed because for roughly your own sort of reasons—an inability to get going again at this writing game. To complicate the situation, a few days ago, barreling down the Autostrada in an effort to catch up with Irwin Shaw’s Ford convertible (we had been on a two-car picnic at Angio) I smacked into a motorscooter going full tilt and glued an Italian all over the front end of my car. The guy was made of brick and will survive with nothing more than lacerations, and fortunately for the legal end of the thing it was his own fault (he was a moron, for one thing, and for another had been driving with a glass eye) but such incidents always leave me spookily aware of just how vulnerable we all are. Perhaps they’re valuable as such from an ah-tistic point of view, but I doubt it.
December 4, 2012 | by William Styron
To John P. Marquand, Jr.
April 17, 1953 Rome, Italy
I received your telegram, and I must say that Rose and I feel that there would be nothing more delightful than to play Byron with you for a while, and we were especially intrigued by the line which said a special tour was being arranged, or would be arranged, “in our honor,” which conjured up visions of open, bullet-proof sedans, police escorts, and jonquils being thrown into our faces by a frantic populace. It would indeed be nice. But we have talked this thing over and have decided that in view of the fact that we will probably be getting married within the next few weeks, and that Rose’s brother and wife are expected at any moment, it would put a strain on our nervous resources to come, at least my nervous resources, already depleted by a soggy, constant drunkenness brought on in part by the prospect of marriage, by insomnia, by clots, and by a general spiritual enervation resulting from the realization that already, going on 28, I am a wash-up as a writer and ﬁt only to do the “Recent & Readable” part of the book section in Time. In other words, I will be going through a crisis this spring and although I don’t doubt that Greece is an excellent place to weather such a storm, I hope you can understand my position. I hope also, by the way, that when you ﬁnish diddling your Greek lady-in-waiting you will come back to Rome in time to take part in the shoddy ceremony which is due to be enacted in the city hall. That will be some time toward the end of this month, no doubt, or the ﬁrst week or so in May.
December 3, 2012 | by William Styron
“A great book should leave you with many experiences, and slightly exhausted at the end,” explained William Styron in his 1954 Art of Fiction interview. “You live several lives while reading it. Its writer should, too.” Such is the experience in reading Styron’s Selected Letters, edited by Rose Styron, with R. Blakeslee Gilpin, and published this week. Alongside major cultural and political events of the latter half of the twentieth century are intimate accounts of family life, depression, writing, frustrations, and friendships.
Of his many lives, Styron may be best remembered in this office for his influence on the early years of The Paris Review. It is awfully fun to see those moments surface in his correspondence, and our selection was made with those moments in mind. Look for a new letter each day this week.
To Dorothy Parker
July 19, 1952 Paris, France
Honeybunch darling—the story is, I believe, coming along just dandy and my pretty much night and day work on it is the main reason I haven’t written you before this. It is now between 11,000 and 12,000 words, which I figure is about two-thirds complete. It has some really good—fine—things in it so far, and I think it will be even better when it’s finished. In fact I think I can say it has some of my best writing in it and will make stories by people like Hemingway and Turgenev pale in comparison. That sounds a bit like what Hemingway would say, doesn’t it? Read More »