Posts Tagged ‘William Styron’
December 4, 2012 | by William Styron
To John P. Marquand, Jr.
April 17, 1953 Rome, Italy
I received your telegram, and I must say that Rose and I feel that there would be nothing more delightful than to play Byron with you for a while, and we were especially intrigued by the line which said a special tour was being arranged, or would be arranged, “in our honor,” which conjured up visions of open, bullet-proof sedans, police escorts, and jonquils being thrown into our faces by a frantic populace. It would indeed be nice. But we have talked this thing over and have decided that in view of the fact that we will probably be getting married within the next few weeks, and that Rose’s brother and wife are expected at any moment, it would put a strain on our nervous resources to come, at least my nervous resources, already depleted by a soggy, constant drunkenness brought on in part by the prospect of marriage, by insomnia, by clots, and by a general spiritual enervation resulting from the realization that already, going on 28, I am a wash-up as a writer and ﬁt only to do the “Recent & Readable” part of the book section in Time. In other words, I will be going through a crisis this spring and although I don’t doubt that Greece is an excellent place to weather such a storm, I hope you can understand my position. I hope also, by the way, that when you ﬁnish diddling your Greek lady-in-waiting you will come back to Rome in time to take part in the shoddy ceremony which is due to be enacted in the city hall. That will be some time toward the end of this month, no doubt, or the ﬁrst week or so in May.
December 3, 2012 | by William Styron
“A great book should leave you with many experiences, and slightly exhausted at the end,” explained William Styron in his 1954 Art of Fiction interview. “You live several lives while reading it. Its writer should, too.” Such is the experience in reading Styron’s Selected Letters, edited by Rose Styron, with R. Blakeslee Gilpin, and published this week. Alongside major cultural and political events of the latter half of the twentieth century are intimate accounts of family life, depression, writing, frustrations, and friendships.
Of his many lives, Styron may be best remembered in this office for his influence on the early years of The Paris Review. It is awfully fun to see those moments surface in his correspondence, and our selection was made with those moments in mind. Look for a new letter each day this week.
To Dorothy Parker
July 19, 1952 Paris, France
Honeybunch darling—the story is, I believe, coming along just dandy and my pretty much night and day work on it is the main reason I haven’t written you before this. It is now between 11,000 and 12,000 words, which I figure is about two-thirds complete. It has some really good—fine—things in it so far, and I think it will be even better when it’s finished. In fact I think I can say it has some of my best writing in it and will make stories by people like Hemingway and Turgenev pale in comparison. That sounds a bit like what Hemingway would say, doesn’t it? Read More »
October 1, 2012 | by Lary Wallace
There were few places on the ship less conducive to reading than the library. In the summer of 2000, in my early twenties, I was stationed aboard an aircraft carrier. The library sat directly beneath the flight deck, which means that in addition to the thump, rattle, and screech of the planes as they landed, there was the heat from the catapults and their fuel, a heat so thick it invaded your respiration like some perniciously odorless fume, trespassing on your psyche and then inhabiting it. Reading there was out of the question, but we weren’t on the ship to read. Which is why it always surprised me how many great books they had in that library.
I found one of the greatest purely by chance. I knew neither the book, Memoir of a Gambler, nor its author, Jack Richardson. It was the title that hooked me. Our ship would soon be returning to San Diego, after a six-month cruise throughout the Pacific Ocean and Arabian Sea, and so I knew I would soon be gambling again. Having already become a devotee of the sports-gambling culture of San Diego—or, more specifically, its adjunct playground of Tijuana—I needed little encouragement. But in the book I now held in my hands, I would find plenty of encouragement anyway.
On the cover, this Jack Richardson struck a classically arch pose, arms crossed in a subdued brown sport coat and vest, staring self-importantly into the camera; beside him, on a circular bar-table sat a gleaming, thickly cut glass ashtray, a lone cigarillo perched on its edge. The back cover featured a blurb from William Styron (a notoriously selective blurber, even on behalf of friends), proclaiming, “Jack Richardson is a wonderful writer and his book is a powerful portrayal of one man’s obsession—sad, hilarious, erotic, and, above all, pitilessly honest. I read Memoir of a Gambler with fascination and delight.” The bio inside the back flap revealed that the author was a distinguished playwright who had also written for many of the magazines I cherished most, and then, on the copyright page, a partial explanation for why I did not recognize him from any of those magazines: “Copyright ©1979.”
March 13, 2012 | by The Paris Review
On Tuesday, April 3, The Paris Review will honor two of our favorite young writers.
Amie Barrodale will receive the Review’s Plimpton Prize for “Wiliam Wei,” which appeared in our Summer issue.
Adam Wilson will receive the second Terry Southern Prize for Humor for his story “What’s Important Is Feeling” and his contributions to The Paris Review Daily.
The Plimpton Prize for Fiction is a $10,000 award given to a new voice published in The Paris Review. The prize is named for the Review’s longtime editor George Plimpton and reflects his commitment to discovering new writers of exceptional merit. The winner is chosen by the Board of the Review. This year’s prize will be presented by Mona Simpson.
The Terry Southern Prize for Humor is a $5,000 award recognizing wit, panache, and sprezzatura in work published by The Paris Review or online by the Daily. Perhaps best known as the screenwriter behind Dr. Strangelove and Easy Rider—and the subject of an interview in issue 200!—Terry Southern was also a satirical novelist, a pioneering New Journalist, and a driving force behind the early Paris Review. Comedian David Cross will present this year’s award.
The honoree of this year’s Revel is Robert Silvers. Zadie Smith will present Silvers with the 2012 Hadada, the Review’s lifetime achievement award recognizing a “strong and unique contribution to literature.” Previous recipients of the Hadada include James Salter, John Ashbery, Joan Didion, Norman Mailer, Peter Matthiessen, George Plimpton (posthumously), Barney Rosset, Philip Roth, and William Styron.
Come help us celebrate our honorees and our two hundredth issue—and support the Review. Buy your Revel tickets now!
October 10, 2011 | by James Jones
The Paris Review was founded in 1953, the year after my father won the National Book Award for his novel From Here to Eternity. James Jones was a newcomer on the literary scene, an outsider who had fought in the Pacific and had only completed two semesters of college. By the time my parents moved to Paris in 1958, The Paris Review was a hugely important literary magazine. And although my father never felt a part of the highly educated, ivory-tower crowd, he was extremely fond of William Styron, George Plimpton, and Peter Matthiessen, the magazine’s founders, and felt a deep kinship with them as people who were committed to the written word. My father was interviewed by Nelson W. Aldrich Jr. for the Autumn/Winter 1958–59 issue of The Paris Review, just after the publication of his second novel, Some Came Running, which was savaged by the critics. The interview gave my father a chance to speak his mind and set the record straight, and it is one of the best interviews he ever gave. It seems only fitting that a section of his earliest, unpublished work should be printed in The Paris Review, whose three founders came to his defense and continued to stand by him and his work long after his death in 1977. —Kaylie Jones
August 4, 2011 | by The Paris Review
Blair Fuller was an editor emeritus of The Paris Review and the author of two novels, A Far Place and Zebina’s Mountain, as well as Art in the Blood: Seven Generations of American Artists in the Fuller Family. Born in New York to a family of artists, architects, and publishers, he became an editor at The Paris Review shortly after it was founded. He moved to California in the early sixties, where he taught in Stanford’s Creative Writing Program and went on to cofound the Squaw Valley Community of Writers. He died on July 23, at the age of eighty-four.
Blair went out of his way to welcome the current staff of the Review and to support the new tack of the magazine. He read each issue cover to cover and was quick with both praise and criticism: “The Levé piece is my favorite. I feel badly that he ended his life. An interesting and original man ... I wish Beattie could be trimmed a bit. Bolaño never did grip me. Otherwise a fine issue.” His first response to the Daily was typically forthright: “What a terrible idea!” Eventually he softened and even sent several reminiscences (he called them “memories”) as possible contributions to the blog. In June, he sent us these two snapshots from the early days (and nights) of the Review.
IN PARIS IN THE LATE 1940s, Harold “Doc” Humes had published a magazine, The Paris News-Post, which was intended to tell the Americans who were arriving in large numbers to work for the European recovery effort what they should see, do, and buy in France. Few, however, bought the News. Read More »