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Posts Tagged ‘William Steinkraus’

What We’re Loving: Pragmatism, Professional Consultants, Pubic Crests

January 31, 2014 | by

Walter_Battiss_painting_"Wandering_Nude_1"

Walter Battiss, Wandering Nude 1, 1978, oil on canvas.

Pop quiz! Which American philosopher coined the following expressions: pluralism, time-line, healthy-minded, live option, stream of consciousness, and the bitch-goddess success. Hint: he counted among his most devoted students Gertrude Stein, Theodore Roosevelt, and W.E.B. DuBois. Last hint, from a letter he wrote to his little brother Henry, in 1902: “You have created a new genre littéraire which I can’t help thinking perverse, but in which you nevertheless succeed, for I read with interest to the end (many pages and innumerable sentences twice over to see what the dickens they could possibly mean).” If you guessed William James (correctly), you probably remember him as the main inventor of “pragmatism,” the can-do philosophy that professional philosophers love to hate. But as Robert D. Richardson shows in his 2006 biography William James: In the Maelstrom of American Modernism, it is hard to imagine a livelier, more lovable mind. As a scientist, James did original work on everything from evolution to spiritualism. As a philosopher, he anticipated everyone from Bergson to Wittgenstein to Austin to Daniel Kahneman. As a person, James is the most appealing kind of genius, continually inspired by his family, by his friendships and romances, and by communion with what he called “the hidden self,” where we are most vulnerable and alive. —Lorin Stein

The latest issue of Granta includes “Nudity,” an essay by Norman Rush about his youthful encounters with the body au naturel. Rush’s parents dabbled in a kind of functional nudism, which we might today call “letting it all hang out.” “The nudity of my parents did not assuage my ripening interest, but inflamed it,” he writes. “I wanted to see other naked female humans, and I wanted my father to keep his bathrobe on.” Though the piece mostly chronicles the young Rush’s quest to see live nudes, it takes an astonishing, affecting swerve in its final paragraph, which I won’t spoil here. It also includes, of course, those quintessentially Rushian terms for the female anatomy, “escutcheon” (the pubic crest) and “introitus” (just look it up). —Dan Piepenbring

Sunday is Groundhog Day (fingers crossed!), but I’ve been heralding the arrival of spring for days now, however futile my attempts may be. Perhaps that’s why I picked up Tove Jansson’s The Summer Book this week. I’ve read Jansson’s Moomin comics and her children’s books, but I haven’t ever delved into her prose. This book—a series of interrelated vignettes about a girl and her grandmother on a quiet island in the Gulf of Finland—is a treasure. Its stories are miniatures not just in length but in perspective as well: sometimes literally, as when the grandmother lays down near the beach and studies a blade of grass, a fluff of down, and a piece of bark in the sand by her face. Through her examination, their minute details are writ large; the bark, for instance, becomes “a very ancient mountain.” And when she finally gazes past them, to the wider world, it no longer looks so big. —Nicole Rudick

The Lost Art of Dress: The Women Who Once Made America Stylish is a paean to that now-extinct species, the “dress doctor,” a professional consultant who helped average citizens navigate questions of style and economy in a rapidly changing landscape. How should a working girl look professional on a budget? How might a farm wife stretch a yard of fabric and still be chic? And how to incorporate principles of harmony, proportion, balance, rhythm, emphasis into every aspect of aesthetic life? The author, Linda Przybyszewski, is an academic, and the book serves as an informative cultural history. But more than this, it is a tribute to a time when style—and maybe even life—felt more straightforward, and however arbitrary, there were definitive answers. —Sadie Stein Read More »

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