Posts Tagged ‘William Shakespeare’
August 17, 2015 | by Dan Piepenbring
Titus Andronicus is a hideous play. Harold Bloom called it “a poetic atrocity”; Samuel Johnson refused to believe that Shakespeare was its author, writing that “the barbarity of the spectacles, and the general massacre, which are here exhibited, can scarcely be conceived tolerable to any audience … That Shakespeare wrote any part, though Theobald declares it incontestable, I see no reason for believing.” In its five grisly acts, fourteen people die; at least one is raped; throats are cut; hands, tongues, and heads are cut off; blood spurts “as from a conduit with three issuing spouts”; bodies are thrown to beasts and into pits, dragged into forests, buried alive chest-deep and left to starve; the bones of two men are ground “to powder small” and baked, with heads, into pies, which are then fed to their mother.
In other words, it’s one of those tragedies that was just crying out for an illustrated edition. Read More »
May 20, 2015 | by Dan Piepenbring
- On the cover of a 1598 book, The Herball or Generall Historie of Plantes, a historian claims to have found “the only demonstrably authentic portrait of Shakespeare made in his lifetime”; the editor of Country Life magazine is calling this “the literary discovery of the century.” The century, thankfully, is young.
- Pause to remember the garish bookbinding trends of yesteryear: “For a few years in the nineteenth century … papier-mâché books adorned with mother-of-pearl were part of a gift book fad, wherein a decorative tome of sentimental or religious poetry was bestowed upon a loved one, often around the winter holidays. The text was usually secondary to the gaudy cover, which was decorated to the extreme.”
- Is photography merely a matter of chance? “By the end of the nineteenth century, after Kodak has arrived … much of the role of chance migrates from the processing phase to the moment of exposure. That moment was always prone to chance—in the long exposures of early photography, a dog might wander in a street scene, or a young portrait subject might sneeze and blur the image. But with fast shutters and films, the so-called instantaneous photograph arrives, and chance takes on a new prominence in composition—to the point that even the word composition seems questionable.”
- Everett Fox is translating the Hebrew Bible—a tricky effort, given that the original is rooted in a deeply aural tradition. “I heard it, too. Short vowels twinkled and long vowels streamed by with showy tails. Consonants held crisp and true. The overall effect was of a simultaneously dense and sprawling thing, layered and alive and capable of surprising you. Fox has dedicated his life to giving the Anglophone ear a hint of that Hebrew drama … [He] uses every poetic means at his disposal: phrase length, line break, puns.”
- The glam SAHMs (stay-at-home moms, if you’re new to this) of the Upper East Side await wife bonuses from their husbands: “A wife bonus, I was told, might be hammered out in a pre-nup or post-nup, and distributed on the basis of not only how well her husband’s fund had done but her own performance—how well she managed the home budget, whether the kids got into a ‘good’ school—the same way their husbands were rewarded at investment banks.”
August 5, 2013 | by Sadie Stein
July 8, 2013 | by Sadie Stein
June 20, 2013 | by Sadie Stein