Posts Tagged ‘War and Peace’
September 21, 2012 | by Sadie Stein
Dear Paris Review,
I am currently suffering from a major depression, which has caused me to lose my job and my relationship. I see a therapist and a psychiatrist, and I believe and hope I’m beginning to recover. I have been a major reader all my life, but the depression has made it difficult for me to concentrate, so I haven’t been able to read much lately. I’ve been reading bits and pieces of books I’ve read before many times (Darkness Visible, Diving Into the Wreck), trying to get something from them.
I suppose I’m looking for two different types of book as I recover: books that will show me why to live and how, and books that will allow me to escape my present torture. Both need to be pretty easy to follow—for instance, I recently bought The Myth of Sisyphus after reading William Styron’s reference too it, but it’s too difficult for my slow brain right now.
I’ve been where you are and know exactly the state you describe: one of the many distressing aspects of depression is the inability to lose yourself—and for those of us who have always found comfort in books, this is particularly scary. It goes without saying that everyone’s recovery process is different, and without a sense of your exact tastes—although it is clear you are an ambitious and curious reader with wide-ranging interests—it is a little tricky to suggest comfort reads. (After all, that is so bound up with one’s history and associations, no?) But I can tell you what has worked for me, and for some people I know, and hope that the suggestions, and the knowledge that you are in good company, will prove helpful.
April 20, 2012 | by Lorin Stein
My apartment is infested with evil roommates and sad vibes. Being unemployed, I have no refuge. But I refuse to be depressed! Mornings I pack a small bag of books, take to the streets, wander around. But one can only sit on so many benches. Am curious about comfy food places where the management smiles kindly (or just not unkindly) on quiet, unassuming customers who occupy space for many hours, ordering only coffee, or perhaps (eventually) some delicious pie ... Suggestions?
Sincerely, Ex Libris
(oh and Manhattan only please)
Dear Ex, We have one of the world’s great reading rooms–at least for now–at the Forty-second Street Library. Having spent years in tiny, often overcrowded apartments, I promise that you will sit longer and read more there than in any café. If you get hungry, there’s a Pret à Manger across the street, not to mention the restaurant and sandwich kiosks in Bryant Park. Enjoy it while you can. Other good reading places—on weekdays especially—are the side room at Cafe Pick Me Up on Avenue A, the Hungarian Pastry Shop in Morningside Heights, and Tarralucci e Vino, either the one off Union Square or the one on East Tenth Street. For weekends, I highly recommend the bar at Vandaag on Second Avenue. No pies, but excellent coffee, strupwafels, and poached eggs.
April 13, 2012 | by Lorin Stein
I’m a second-semester senior in high school and currently find myself with a lot of empty time. I also have an open summer ahead with plenty of time to read books. Do you have any novel recommendations for someone about to enter college?
Our friends at n+1 devoted an entire pamphlet to the question, more or less: What We Should Have Known. Our advice is more equivocal: the main thing is to have a whole bunch of books so you can switch if you get bored.
With that caveat, and in no special order: To the Lighthouse, Sons and Lovers, Howard’s End, Invisible Man, Brideshead Revisited, Girl in Landscape, Pnin, Rebecca, The Crying of Lot 49, The Broom of the System, Two Girls, Fat and Thin, Portnoy’s Complaint, War and Peace, Crime and Punishment, The Transit of Venus, The Death of the Heart, The Tetherballs of Bougainville, Home Land, Cane, As I Lay Dying, The Sun Also Rises, Confessions of a Mask, The Savage Detectives, The Picture of Dorian Gray, Marius the Epicurean, First Love, First Love and Other Sorrows, and Moby-Dick.
I recently read Lolita and have since been obsessed with Nabokov. What are other Russian novels, or to broaden the list, European novels that you would recommend?
Have you read others novels by Nabokov? My favorite is Pnin (see above). The tricky thing about your question is that no European writes like him—or if they do, it’s in a language I can’t read. The most Nabokovian writer I know is John Updike, but he’s American. Try the Rabbit books. You might also like Javier Marías: start with A Heart So White. And if what you really want is European, magisterial, and ironic, there’s Lydia Davis’s new translation of Madame Bovary. Nabokov almost certainly wouldn’t approve of the translation—he never approved—but I think he would disapprove less than of the others. Read More »
February 10, 2012 | by Lorin Stein
I’m planning a trip to Southeast Asia later in the year, and I’m looking for fiction set in the countries I’ll be visiting. For the most part I've managed to find books that fit the bill—Graham Greene’s The Quiet American for Vietnam, André Malraux’s The Way of Kings for Cambodia, and Christopher Kremmer’s Bamboo Palace for Laos. But I'm really stuck on Thailand. There’s The Beach by Alex Garland, which I’ve read and wasn’t a huge fan of. Aside from that all I can seem to find are some fairly nasty-looking crime novels. I’d prefer something slightly more on the literary side of things if possible, whether fiction or nonfiction.
Thanks (and kap koon kah).
John Burdett’s not your speed, eh? In that case, I recommend Mischa Berlinski’s Fieldwork. Set in Chiang Mae and in the jungles of northern Thailand, it tells the story of an anthropologist and a family of American missionaries battling over the hearts and minds of an animist village. No less an authority than Stephen King raved about it in Entertainment Weekly:
This is a great story. It has an exotic locale, mystery, and a narrative voice full of humor and sadness. Reading Fieldwork is like discovering an unpublished Robertson Davies novel; as with Davies, you can’t stop reading until midnight (good), and you don’t hate yourself in the morning (better).
King didn’t like the title (“Berlinski tells us the editor hung that says-nothing title on the book. The guy should have stuck to editing”). As the editor in question, I may be biased—but I promise it’s the book you want.
Perhaps you can assist me with a delicate matter. Having lately fallen in love, I find I have been inspired to address to my particular Phoebus Apollo a string of flamboyant sonnets, which, although they genuinely come from the heart, are, I suspect, really terrible. True, they scan quite well and, of course rhyme, but in their slightly banal sentimentality they make John Betjeman seem highbrow. So, mindful of the possibility that such a dubious body of work might someday come to light, is it better, do you think, to run the risk of being labeled as an awful poetaster who’s heart is in the right place, or disconcerting Phoebus Apollo by engaging in ruthless self-censorship?
Why not take a page (a very famous page) from Sir Philip Sidney?
Loving in truth, and fain in verse my love to show
That she (dear She) might take some pleasure of my pain:
Pleasure might cause her read, reading might make her know,
Knowledge might pity win, and pity grace obtain;
I sought fit words to paint the blackest face of woe,
Studying inventions fine, her wits to entertain:
Oft turning others’ leaves, to see if thence would flow
Some fresh and fruitful showers upon my sun-burn’d brain.
But words came halting forth, wanting Invention’s stay,
Invention, Nature’s child, fled step-dame Study’s blows,
And others’ feet still seem’d but strangers in my way.
Thus, great with child to speak, and helpless in my throes,
Biting my truant pen, beating myself for spite—
“Fool,” said my Muse to me, “look in thy heart and write.”
As Sidney writes, a love sonnet needn’t be good—just induce a modicum of pity. Your limitations can only be a strength. Read More »
November 4, 2011 | by Lorin Stein
Just this morning—at five o’clock, to be exact—I was staring at the ceiling, thinking about Krapp’s Last Tape and how shocked my favorite college professor would be if he knew I still haven’t seen or read it. At least I hope he’d be shocked. I have never got through any of Beckett’s novels (and have seen almost none of his plays, or anybody else’s). I have never got through Henry Green’s Living or Concluding, though neither one is a long book, and I have sometimes heard myself call Green my “favorite” postwar English novelist, as if I had read enough to have one. I have never got through Jane Eyre or Giovanni’s Room or Journey to the End of the Night or Zeno’s Conscience or Pierre—I have never got through chapter one of Pierre. I have never read The Life of Henry Brulard and am not sure it’s even a novel. I have never read Memoirs of an Anti-Semite (but have said I have). I will never reread Dostoevsky as an adult, which in my case is more or less the same as not having read him. I couldn’t finish The Recognitions: I stopped 150 pages from the end, when the words just stopped tracking, and have never managed five pages of JR. I can’t remember which Barbara Pym novels I read, it was so long ago, and there are so many I haven’t. I have never made it to the cash register with a novel by Ronald Firbank. Thomas Hardy defeats me. So does D. H. Lawrence: you can love a writer and never actually feel like reading any more of his novels. I have never read Lady Chatterley’s Lover. I never got to the end of Invisible Man. I have never read Stoner or Gormenghast or Blood Meridian or Wide Sargasso Sea (see Jane Eyre, above). Or any Faulkner novel all the way through besides The Sound and the Fury. I have never enjoyed a novel by Eudora Welty enough to keep going. I think I got to the end of V., which may be even worse than having put it down, and know for a certainty I never got far in Gravity’s Rainbow. I have never read U.S.A. or Tom Jones or Tristram Shandy or Pamela or any novels by Irwin Shaw, James Jones, Mavis Gallant, or Dashiell Hammet. Or Raymond Chandler. I have never read Tender Is the Night, but just the other night someone used it as an example of something, and I nodded. Read More »
October 20, 2011 | by Jonathan Gharraie
For the real action at this year’s Man Booker Prize, you had to hit the cloakroom. For much of the evening, along with correspondents from all the major newspapers, I was sequestered in a large room in the palatial spread of the Guildhall. It was only when I ventured downstairs that recognizable faces attached to tuxedos and evening gowns began to drift in from the dinner. I ran across one former winner, dreamily improvising at an invisible keyboard while explaining how relieved he was to belong to what he called the great continuity of the prize; a well-known literary editor roamed the corridors, warily peering from right to left in the manner of a displaced meerkat; and Anne Robinson, host of The Weakest Link, was huddled against a wall, unusually hushed by the seashell allure of her cellphone. Read More »