Posts Tagged ‘Wallace Shawn’
November 29, 2014 | by Dan Piepenbring
When I read poetry, I want to feel myself suddenly larger … in touch with—or at least close to—what I deem magical, astonishing. I want to experience a kind of wonderment. And when you report back to your own daily world after experiencing the strangeness of a world sort of recombined and reordered in the depths of a poet’s soul, the world looks fresher somehow. Your daily world has been taken out of context. It has the voice of the poet written all over it, for one thing, but it also seems suddenly more alive … —Mark Strand, The Art of Poetry No. 77, 1998
Mark Strand died today at eighty, we were sorry to learn. When Wallace Shawn interviewed him for The Paris Review in 1998—a year before he won the Pulitzer Prize for his collection Blizzard of One—Strand described his relation to death: “It’s inevitable. I feel myself inching towards it. So there it is in my poems. And sometimes people will think of me as a kind of gloomy guy. But I don’t think of myself as gloomy at all. I say ha ha to death all the time in my poems.”
And death was arguably Strand’s great theme—few poets have written more acutely or more movingly about the chasm at the end of life. Which is not to say that he was excessively dour or bleak; the sense of isolation in his work is often leavened by light and feeling. Strand saw poetry as a humanizing influence in an increasingly inhumane world. He told Inscape a few years ago: Read More »
July 23, 2014 | by Dan Piepenbring
- On the Booker longlist: Joshua Ferris, Joseph O’Neill, Richard Powers, Siri Hustvedt, Howard Jacobson, David Mitchell, David Nicholls, and others. Notably excluded: Donna Tartt.
- Earlier this month came news of Charlotte and Branwell Brontë’s tiny books; now it’s the Brontë sisters’ school progress reports. In the early nineteenth century, a minister at Cowan Bridge noted that Charlotte “writes indifferently … knows nothing of grammar, geography, history, or accomplishments.”
- Do you seek a bland font, a middling font, a dutifully average font? Try the Universal Typeface, “a constantly evolving, algorithmically produced font created by averaging hundreds of thousands of handwriting samples submitted to BIC’s website. Anyone with a touchscreen can help shape the Universal Typeface by linking their phone or tablet to the website and writing directly on the touchscreen—the lettering is quickly transferred to the Universal Typeface algorithm. As of this writing, more than 400,000 samples have been collected from around the world, and the resulting alphabet is … well, sort of boring.”
- Wallace Shawn discusses playwriting and his new take on Ibsen’s The Master Builder: “If a man can presume to make a list of men who contributed to the feminist view of life, you’d have to put Ibsen at the head of the list. But he’s laying out on the table some of the worst male fantasies. I mean, he was a very daring writer, and he dared to be sort of sickening. He dared to create these characters who were sort of dreadful.”
- “The jukebox musical can be an embarrassing phenomenon: a living, breathing pop-music wax museum. It can be pandering and disingenuous, fostering a dynamic that the Times has called ‘ovation-by-coercion.’ It can repackage your happiest memories as a Vegas revue … Our instinct is to sigh about it, but we shouldn’t. The form is evolving.”
December 18, 2012 | by Sadie Stein
Listen to a preview of Wallace Shawn reading Denis Johnson’s “Car Crash While Hitchhiking,” one of the stories included in the Paris Review anthology Object Lessons: The Paris Review Presents the Art of the Short Story. The full recording is now available in Three Object Lessons, an audio book only available on the Paris Review app.
October 10, 2012 | by Sadie Stein
The full audio recording will be available shortly in a new book, Three Stories: An Audio Book, only available on the Paris Review app.
June 25, 2012 | by Noah Wunsch
To celebrate the release of The Paris Review’s Summer issue, we put together a little video that takes you inside the pages of 201.
In case you’ve forgotten, the issue features Tony Kushner and Wallace Shawn on the art of theater; new fiction from Sam Lipsyte and Ann Beattie; nonfiction by Davy Rothbart, Ludmilla Petrushevskaya, Rich Cohen, and J.D. Daniels; a portfolio curated by Waris Ahluwalia; and poetry by Sophie Cabot Black, Roberto Bolaño, Raúl Zurita, John Ashbery, Octavio Paz, Lucie Brock-Broido, and David Ferry.
June 14, 2012 | by The Paris Review
Last night, our kickoff event at the Strand was red-letter. We laughed (at Amy Warren’s masterful channeling of Dorothy Parker), we cried (at Wallace Shawn’s interpretation of Denis Johnson’s “Car-Crash While Hitchhiking”), and we marveled at the winner of our Strand-Paris Review tote-bag design contest (submitted by Houston’s Roque Strew). Did all the free wine have anything to do with these emotional reactions? We prefer to believe it was due to the overwhelming talent!