Posts Tagged ‘viral’
January 22, 2014 | by Dan Piepenbring
- “A strangely democratic and egalitarian Era of the Word has emerged.” Why we may be living in an idyllic age for journalism.
- “People love stories. The more you see your story as part of a broader narrative, the better.” The six things that make stories go viral will amaze, and maybe infuriate, you. Kudos to The New Yorker for aping Upworthy’s headline style.
- And since we’re doing sixes: six pieces of advice from successful writers. (Though they’re a touch cliché, right down to the “avoid clichés” apothegm.)
- It’s the thirtieth anniversary of the Supreme Court’s Betamax decision. The medium is obsolete; the verdict is not. It’s the basis of a lot of our ideas about copyright, consumer rights, and fair use.
- #ReadWomen2014: A hashtag becomes a movement.
August 9, 2011 | by Brian Gresko
Novelist Helen Schulman doesn’t shy away from controversial subjects. Her last novel, A Day at the Beach, examined a marriage that falls apart hour by agonizing hour over the course of September 11. Her latest, This Beautiful Life, follows the Bergamot family. They seem a picture of success: Richard a high-powered if overly-committed university man, Liz the stay-at-home mom, Jake a high school student on the road to college, and Coco, their adopted daughter of seven. When Jake finds himself the recipient of an erotic video made by a thirteen-year-old with a crush, Daisy, he forwards it to his friends. The video goes viral, the story becomes tabloid fodder, and the repercussions undo his life and bring the fissures in Richard and Liz’s relationship to light. In Spring 1995, The Paris Review published the story that grew into her novel The Revisionist. Schulman, now the Fiction Coordinator of The New School’s Writing Program, chatted with me about the book over a campari and soda and homemade potato chips.
What led you to write This Beautiful Life?
It started with what was happening in the news—the beginning of “sexting.” One incident in particular, at Horace Mann, had been written up in The New York Times and caused a scuttlebutt among the mothers. I thought I would write a nonfiction book about it, so I wrote Horace Mann, but I was totally stonewalled. Nobody wanted to talk to me. And so I thought, Well then, I’ll make it up.
Do you feel novelists have a responsibility to make social commentary in their work?
If you tell the truth about the world, you’re always being political, because the world is so highly charged. In these last two books I looked at the times we were living in very closely, almost as if I were a photographer or a social historian. In A Day at the Beach, I was really interested in the culture at the moment of a big event. I wanted to write about the nineties, but I didn’t know how until 9/11 crystallized it. For This Beautiful Life, there were several events in the decade post-9/11 that interested me. One was the incredible, unparalleled greed and rush for money. Another was the Internet infiltrating our lives in a new way. The Internet created a divide between parents and kids even larger than sex, drugs, and rock had in the sixties. Read More »