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Posts Tagged ‘videos’

Gabrielle Bell on Her Book of … Series

May 27, 2015 | by

My First Time” is a new video series in which we invite authors to discuss the trials of writing and publishing their first books. Consider it a chance to see how successful writers got their start, in their own words—it’s a portrait of the artist as a beginner and a look at the creative process, in all its joy, abjection, delusion, and euphoria.

Our second installment stars Gabrielle Bell, a cartoonist who began to self-publish her work in the late nineties. Every year she would release a new thirty-two page comic: Book of Insomnia, Book of Sleep, Book of Black, Book of Lies, Book of Ordinary Things. In 2003, these were collected in When I’m Old and Other Stories, but before that, “I was selling them for about three dollars each,” she says, “which is about how much they cost to print.” She talks about her struggles to remain disciplined and the intensity of her yearning for a role model. “I remember having fantasies of some great cartoonist just taking me under their wing and teaching me everything they knew ... I was really struggling with depression a lot, I think ... I was almost able to directly translate it into the comics.”

If you missed yesterday’s interview with J. Robert Lennon, you can watch it here—and stay tuned for videos with Branden Jacobs-Jenkins and Christine Schutt later this week. There’s also a trailer featuring writers from future installments of “My First Time.”

This series is made by the filmmakers Tom Bean, Casey Brooks, and Luke Poling; we’re delighted to collaborate with them.

J. Robert Lennon on The Light of Falling Stars

May 26, 2015 | by

Welcome to “My First Time,” a new video series where writers discuss the trials of writing and publishing that first novel, that first play, that first book of poems. This is a chance to see how successful authors got their start, in their own words—it’s the portrait of the artist as a beginner and a look at the creative process, in all its joy, abjection, delusion, and euphoria.

Kicking off the series today is J. Robert Lennon, who discusses his 1997 debut novel, The Light of Falling Stars. He explores the perils of reading one’s Amazon reviews, the process of finding an agent, and the experience of seeing the book’s cover for the first time. “Your first book is a thing that your entire life has gone up to creating,” he says. “You can’t preemptively decide upon the correct way for your book to be. You have to kind of discover it.”

Tomorrow we’ll feature Gabrielle Bell—and later this week will come Branden Jacobs-Jenkins and Christine Schutt. You can see a trailer with writers from future installments of “My First Time” here.

This series is made by the filmmakers Tom Bean, Casey Brooks, and Luke Poling; we’re delighted to collaborate with them.

Introducing Our New Video Series, “My First Time”

May 21, 2015 | by

The Paris Review is known for its interviews. Our first issue, from Spring 1953, featured a conversation with E. M. Forster on the art of fiction, inaugurating a series that’s grown to include hundreds of poets, novelists, playwrights, translators, cartoonists, and screenwriters. These Writers at Work interviews have created a genre and canon of their own.

In the spirit of that tradition, we’re proud to present “My First Time,” a new video series where writers discuss the trials of writing and publishing that first novel, that first play, that first book of poems. This is a chance to see how successful authors got their start, in their own words—it’s a portrait of the artist as a beginner and a look at the creative process, in all its joy, abjection, delusion, and euphoria.

Next week, starting on Tuesday, we’ll launch the first four videos in the series, featuring Christine Schutt, J. Robert Lennon, Branden Jacobs-Jenkins, and Gabrielle Bell. You can see a preview above, including writers from future installments of the series such as Donald Antrim, Akhil Sharma, Tao Lin, Ben Lerner, and Sheila Heti. And stay tuned—we’ll announce more writers in the months to come.

This series is made by the filmmakers Tom Bean, Casey Brooks, and Luke Poling; we’re delighted to collaborate with them.

He Was a Very Close Friend of Mine

May 18, 2015 | by

Your Monday needs something. But what? Could it be … a 1974 clip of Orson Welles reminiscing about his “friendship” with Ernest Hemingway? It has everything: titanic ego-clashing, disingenuous concern-trolling, bullfighting, damning with faint praise, posthumous character assassination. Welles claims to have been the only one with the courage to mock the great man. Welles is chomping on a cigar. Read More »

She Would Buy the Flowers Herself

May 14, 2015 | by

Today marks the anniversary of the 1925 publication of Mrs. Dalloway. The stream-of-consciousness novel has long been considered a modernist classic, perhaps the most accomplished work in Woolf's oeuvre—and though its elliptical prose and complex themes render Mrs. Dalloway a particular challenge for adaptation, this has naturally not stopped people from attempting to do so, with varying degrees of success. 

The above is either the worst or the best such adaptation, depending upon how highly you value things like coherence, tone, and style. It has none of Marleen Gorris’s respectful fidelity, none of Philip Glass’s aggressive atmosphere. Indeed, Natalia Povalyaeva’s animated short, Mrs. Dalloway and the Flowers, has almost nothing to do with the novel at all. Unless, that is, we are talking about the line, “It might be possible that the world itself is without meaning.”

Sadie Stein is contributing editor of The Paris Review, and the Daily’s correspondent.

“Isn’t It Nice?”

April 22, 2015 | by

In the age of the List, comparing editions of Lolita has become a national pastime. (That may be overstating the case. But there are at least two such lists in existence.)

But I hasten to say: this is not mere hackery! Or, if it is, it is a sort of hackery endorsed by one Vladimir Nabokov himself! In this clip (part of a longer film, well worth watching when you have the time) the author displays all the foreign editions of Lolita with the unself-conscious pride of a greedy baby.

(Incidentally, I'm pretty sure the elderly Turkish Lolita he references is this specimen, rivaled in unsexiness only by the somber, vaguely Keene-ish child who graces the 1963 French edition.) 

Sadie Stein is contributing editor of The Paris Review, and the Daily’s correspondent.