Posts Tagged ‘video’
May 14, 2015 | by Dan Piepenbring
Mika Rottenberg’s installation NoNoseKnows, showing now at the Venice Biennale, focuses on production, as much of her work does: in the video, we watch an assembly line of women making pearls. They turn hand cranks; they manipulate knitting needles; they partake of the despondent rigmarole that is factory life. Soon enough, though, the images lurch toward phantasm. Some of the women are dozing peacefully at their stations; some have their feet submerged in whole baskets of pearls; and their labor is directed from underground by a kind of Pinocchio-nosed queen bee, an exhausted, frazzled woman with a nasty cold. Then, as Randy Kennedy writes in the New York Times, comes the denouement:
the woman sneezes explosively, causing steaming plates of Chinese food and pasta to burst from her inflamed schnozz, which seems to provide the pearl workers’ sole nourishment; the process repeats, maybe endlessly.
Yum. Read More »
May 13, 2015 | by Dan Piepenbring
The fourth chapter of Big, Bent Ears, Sam Stephenson and Ivan Weiss’s “Serial in Documentary Uncertainty,” pulls back the curtain on the art of documentary, and on one facet of that art in particular: chaos. As Weiss tells it, their attempts to capture Knoxville’s Big Ears festival were impeded at nearly every turn: interview subjects went AWOL, keys failed to open doors, and a search for an errant projector cord culminated in a late blitz to Walmart. Fortunately, at the end of the week the Rock Fish Stew team had documented a lot of great musicians; that’s here, too, including footage of Swans, the Kronos Quartet, and Holly Herndon, among others.
Read the latest chapter here, and catch up on the rest of the series:
- Chapter One, There Are No Words
- Chapter Two, Borderline Religious
- Chapter Three, Nazoranai, a Documentary
Dan Piepenbring is the web editor of The Paris Review
March 25, 2015 | by Dan Piepenbring
“Every now and then, when I’m tuning, I can make myself cry,” he said at one point. How can a piano tuner make himself cry? I thought to myself. What in the act of tuning would cause someone to do that? When I reviewed this footage months later, I could hear how dumbstruck I was. “When do you make yourself cry?” I asked, baffled.
Tim came back with an explanation that, in one fell swoop, answered the question, created a bigger mystery, and effectively ended that part of the conversation.
“This is getting sort of borderline religious here,” he said, “kind of with the f-word mixed in with it … When you say, God, I’m here—I’ll do the motions, you do the work.”
The second chapter of Big, Bent Ears, Sam Stephenson and Ivan Weiss’s “Serial in Documentary Uncertainty,” is available now. We launched the series earlier this month; it’s a combination of video, audio, photography, and writing in various arrangements and states of completion. This week, Sam and Ivan talk to Tim Kirkland, a piano tuner in Knoxville, and to the members of Nazoranai, an improvisational noise band. Read the piece here, and stay tuned for the next chapter, which comes next Monday, March 30.
March 11, 2015 | by Dan Piepenbring
We’ve posted the first chapter of Big, Bent Ears, Sam Stephenson and Ivan Weiss’s “Serial in Documentary Uncertainty.” If you missed it, we launched the series last week; it’s a combination of video, audio, photography, and writing in various arrangements and states of completion. This week, Sam and Ivan examine the overlap between two of their projects, one focused on the writer Joseph Mitchell and the other on the Big Ears Music Festival, featuring the musician Jonny Greenwood and the Wordless Music Orchestra, among others:
At some point that week, though, the word ear began, well, ringing in ours. The Knoxville music festival is called Big Ears, recalling Mitchell’s “bent” ones. We now wonder whether the type of careful, concentrated sonic experience on display at Big Ears—where the audience is invited to move outside their comfort zones and immerse themselves in new sounds—is analogous to Mitchell’s old-fashioned manner of venturing out into the back alleys of New York to hear people talk.
Read the piece here. The next installment comes in two weeks, on March 25—stay tuned.
May 8, 2014 | by Dan Piepenbring
Today is Thomas Pynchon’s birthday. His fans have also declared it Pynchon in Public Day, a social-media tribute with a modest concept: take to the streets with your camera and post photos of “horns, W.A.S.T.E. insignia, [and] the novels of Thomas Pynchon read unashamedly on trains, while still sub-rosa. It is simple, it is inevitable, it has begun.”
And so it has: Twitter teems with shadowy portraits of those Awaiting Silent Trystero’s Empire. If you’re not about to draw a muted post-horn in a public restroom, you can celebrate Pynchon in Public Day by revisiting this CNN report from 1997, when, upon the release of Mason & Dixon, the cable-news pooh-bahs determined to track him down—his privacy was simply too inscrutable to ignore. Being CNN, they found him, but he prevailed upon them to refrain from identifying him on camera; he appeared as one among the crowds of New York. Read More »
August 20, 2013 | by Justin Alvarez
Now we’re making it really easy for you! For those readers who were unable to catch James Salter, Mona Simpson, Lorin Stein, and John Jeremiah Sullivan discussing The Paris Review’s sixtieth anniversary on Charlie Rose, are you ever in luck! You can now watch the full segment below (sans introductory interview with Yelp founder Jeremy Stoppelman). Yes, we’ve given this a lot of ink, but what can we say—we’re proud!
If you have issues with the video, click here to watch.