Posts Tagged ‘victory’
July 13, 2012 | by Cody Wiewandt
Team |1|2|3|4|5|6|7 Total TPR |4|0|0|4|0|0|4 12 HT |0|2|4|0|0|0|4 10
What a difference a week makes. In the last installment of these notes I detailed Team TPR’s slow descent into mediocrity, a juicy tale rife with last-second losses and clubhouse turmoil. Today, thankfully, I come bearing news of a different color: the color of victory (whatever that is—green?). In what was generally classified as “a bit of an upset” by the national media (and a delicious bit of revenge for last year’s dust-up), David (TPR) felled the brutish Goliath (High Times), armed with nothing more than the competitive spirit and a handful of ringers, including one of Bard baseball’s best—and the former collegiate roommate of now super famous hoopster Jeremy Lin.
June 14, 2012 | by Cody Wiewandt
Team |1|2|3|4|5|6|7 Total TPR |0|0|4|0|0|7|X 11 n+1 |0|0|0|1|0|0|0 1
Last Monday afternoon two literary magazines played a softball game. As you can see by the above scoreboard, Team Paris Review won handily. The short version: we played quite well—hitting sharp singles and putting the fun in fundamentals and whatnot—while n+1 was ... not at their best. Whether it was due to the absence of baseball’s most notorious novelist, Chad Harbach, or an off day on the mound by noted scoundrel Marco Roth, “the best goddamn literary magazine in America” (—Mary Karr) lacked its usual vigor and fortitude. Digging deep into the archives, it appears this is a new development: one of the most heartbreaking defeats in TPR softball history came two years ago against this very squad. Our victory, while certainly a boon for all things moral and just, failed to properly quench our thirst for vengeance, leaving us instead with a numb, hollow “meh” feeling, a sensation that, I would imagine, is akin to eating a piece of cake that is neither chocolate nor made out of ice cream.
May 25, 2012 | by The Paris Review
I know it’s dumb to bet on which novels—which anything—will endure and which won’t. So why, reading Endless Love, Scott Spencer’s 1979 novel of romantic obsession, do I keep thinking, This will outlast us all? Maybe because it reminds me of other novels that have stayed fresh over the decades without the benefit of “classic”—or even cult classic—status: books like Victory, or Rebecca, or The Transit of Venus or The White Hotel or, in a funny way, Mating. You could make a much longer, even more random list, but there’s something they all have in common, something to do with technical sophistication, urgency, and shamelessness, as if the plot came welling up out of a nightmare. They are, you might say, too strong to be classics; they don’t need champions or explaining. People will just keep making each other read them. —Lorin Stein
After my most recent binge at Westsider Books, I found myself holding a copy of something titled The Minikins of Yam. Maybe it’s all these rainy afternoons, but lately I’ve missed the middle school era of my reading life, when “guilty pleasure” was the only category. I freely admit that I chose this paperback by Thomas Burnett Swann, an almost entirely forgotten 1970s author of “neo-romantic fantasy,” solely on account of its awesome cover art, in which a horned lady sallies forth atop a bejeweled ostrich. But Yam delivers exactly what George Barr’s cover art promises: basilisks, subterfuge, and beast-headed gods. If you, too, are an adult human still coping with the end of Harry Potter, look for one of these gorgeous DAW paperbacks to help fill the void. —Allison Bulger
Happy Memorial Day Weekend! If mysophobia (or better options) keep you from the opening of public pools this weekend, I suggest reading David Foster Wallace’s “Forever Overhead,” a story from Brief Interviews with Hideous Men in which a pubescent boy celebrates his thirteenth birthday at a local public pool. You get splash fights, diving-board lines, too-tight suits, Marco Polo—the stuff of poolside dreams—and the fierce awkwardness and exposed, liquid thoughts that public pools and puberty bring forth. Wallace tells the story with manic detail and emotional exactitude, and, as always with dear DFW, it’s at once playful and meditative, unlikely and perfect. —Elizabeth Nelson
I’ve been home sick for the past two days and have found that Space Oddities: A Compilation of Rare European Library Grooves from 1977–1984 is the perfect sound track to a fever. Not a ringing endorsement? Well, you may just have to listen to this collection of carefully culled (by French DJs, naturally) clips from commercials, movies, and TV shows for yourself. I still have my ’08 CD, but good news: the whole album is on Spotify! Try “Robot Dancer.” —Sadie Stein
My experience with Egyptian art is limited mostly to the blockbuster stuff—I remember seeing traveling shows in Texas, where the heavy eye makeup and big jewelry of the statuettes and masks seemed to make a certain kind of sense—and it’s impressive, to say the least. But now I’m finding myself wowed by the smaller, less overtly extraordinary objects in the Met’s “Dawn of Egyptian Art” show (I’ve spent a lot of time with the catalogue as well). The flash of gold and scale is replaced here with the innate beauty of natural materials and form, like a frog carved from a black stone flecked with white; a basket filled with tiny fish, all incised into a single piece of powdery steatite; and the head of a bovid chiseled from clay-hued flint. I’m also unduly impressed with the various hippopotamus-shaped objects—not surprising, since I’ve long been the proud owner of a tubby blue “William.” —Nicole Rudick
July 14, 2011 | by Cody Wiewandt
Team |1|2|3|4|5|6|7 Total TPR |5|1|3|3|0|2|0 14 TNY |2|0|0|1|0|0|1 4
After a month of losing to common thugs and schoolyard bullies, it didn’t feel bad to finally look in the mirror and realize that we had become the very thing we loathed: namely, winners. Although they had nicer uniforms than we did, we soundly defeated The New Yorker 14–4 (though, to be honest, we stopped counting after four innings), and the nectar of victory tasted oh so sweet. Even down a few key players (I’m looking at you Creswell), we had no trouble handling this Condé squad and their occasionally suspect defense. They say it’s better to be lucky than good, but it’s even better to be both—and today, we were.
Remember these names: Thomas, Wizner, Rutman, Pashman, Hiltner. A veritable murderers’ row, these five scored early and often, catalyzing a five-run first that proved to be just a taste of things to come. In the field, Devin “Ol’ Stubblebeard” McIntyre took the mound again and, after a rocky start, pitched another gem. The grass was green, the sky was blue, and there was nothing and no one that could slow us down.
The rest of the game went by like the pages of a calendar, eventful only in that they were over. In the sixth, our captain Stephen “Little General” Hiltner made a spectacular diving grab in the outfield, only to complain later that he got his favorite shorts dirty. The grass stains on Hiltner’s sparkling white shorts (they really are beautiful, Stephen) proved to be the only blemish on a convincing Parisian win.
Far from satisfied, we stuck around for an impromptu batting practice before joining The New Yorker at our favorite pub, Tap-a-Keg, where, aside from a brief pizza-related scuffle, fun was had by all. Up next: The Wall Street Journal and their solid-gold bats.
September 14, 2010 | by Louisa Thomas
Sunday mornings can be such a bummer, time for reflection and for regret. So it was the morning after Roger Federer’s loss to Novak Djokovic in the men’s semifinal. New York was chilly and soaking—weather for brooding, not for tennis. Who was in the mood for tennis, anyway? There would be no Federer-Nadal final. The match so much desired, so long expected, would not happen.
Djokovic had outplayed Federer. And it was thrilling. I couldn’t help it, at times I was thrilled. Facing two match points in the fifth set, Djokovic saved the first with a gutsy swinging volley. He saved the second with a forehand walloped into the corner—an astonishing shot. Reader, I gasped with joy. I didn’t mean to cheer for Djokovic, a man who smashes his racket against his head to pump himself up. I didn’t want to cheer against Federer. Federer is the player I enjoy watching more than any other, the most beautiful player of the most beautiful game. After the match, I felt empty and a little guilty. On Sunday, I felt even worse. (That the women’s final was so lame didn’t help—hadn’t I, on some level, asked for Vera Zvonareva’s mental collapse? Forgive! And congrats to Kim Clijsters!)
On Monday, though, things looked up. The sun was out and Nadal still playing. Rafa, always reason for cheer! Against Djokovic, Nadal easily won the first set. But during the second, Djokovic came to life, zooming around the court, skinny limbs flying. He went for the lines and hit the corners. Djokovic is not a man who immediately inspires. His haircut is bad, his temper idiotic, his style slightly spasmodic. But he’s daring and quick, gentle at net and fierce in the backcourt, and his defensive play is unreal. When he broke Nadal’s serve twice in the second set, I felt, again, spontaneous pleasure. It would have been impossible to suppress it. Not just impossible: I think it would have been wrong to try.
But he couldn't keep it up, and Nadal ... Nadal is something else. Even when he stumbles, as he did a few times last night. He sprinted to every ungettable shot and moved the ball in unbelievable ways, knifing his volleys and spinning those forehands. Until the last set, when Djokovic simply faded, the Serb gave Nadal a good match. But I wanted Nadal to beat him. I wanted to see him yank Djokovic like a yoyo with his magnificent groundstrokes; I wanted to see him rip up the ball. I wanted him to win so badly that I felt slightly sick. And Nadal did. When he won the 2010 U.S. Open, he became the seventh man to win the career grand slam. He’s 24 years old. He is as great as can be imagined. Greater, maybe.
It's tempting to call tennis an art, and a lot of people do. It’s graceful and intuitive, and one responds to it as one responds to something beautiful, with the desire to describe it and remember it, and to applaud those who made it. But its value is not symbolic, though it lends itself to metaphor. It works in other ways. A single shot is so fast, the physics so complex, that it’s hard to picture, even when you’re watching it live. It can't be aestheticized or really captured. Instead it captures you, the watcher, in wonder. At least, it captures me.
There's something incredible about all those straight lines and arcs and angles, the speed and the spins, the strength, and the drama of two people, alone, facing each other. I don't know what it all adds up to, exactly, or why I care so much. It should be silly, a game with a bouncy, fuzzy yellow ball. But it isn't. It's awesome, and sometimes it's an honor to watch. It was an honor to watch Nadal last night.
July 13, 2010 | by Will Frears
The great Johann Cruyff came out today and accused the Dutch of being anti-football and, among other crimes, “hermetic.” He’s right about the anti-football. The Dutch strategy was as predicted: Mark van Bommel and Nigel de Jong set out to kick the Spanish into submission so Robben and Sneidjer would have a chance to win the game for Holland. Spain refused to let this happen and, as with Germany, imposed their methodical game of possession, albeit with more bruises, and won, as they so often did, 1-0. It could be noted that it was Andrés Iniesta, who scored the game-winner, whose theatrics got John Heitnga sent off—a booking which freed up the space for him to score a few moments later—but since Nigel de Jong should have seen red in the first half for putting his studs in Xabi Alonso’s chest, it all evens out in the end.
This has been a tournament of teams rather than stars. Messi, Kaka, Rooney, Ronaldo and the rest came and went without leaving any lasting impression. This is why Diego Forlan, who was everywhere for Uruguay, is so deserving of the golden ball award, for player of the tournament. Mostly the games have been controlled by players like Xavi and Schweinsteiger, midfield generals orchestrating their teams to victory. This is obviously all to the good—you only had to witness the idiocy of LeBron James’ recent prime-time special to see what happens when players are put above the game, and to understand why the triumph of Spain—and the related successes of Paraguay and Chile and Slovenia—are all to the glory of the sport.
And yet, it’s all a little bit anti-climactic. There is something too-scripted in Spain’s victory: the good guys won, if not too easily then at least too coherently. Spain was a joint favorite from the beginning, and played far and away the most elegant football of the tournament—exactly the kind of football they said they would play. They had not only the courage of their convictions but their conventions too. Only in the first game against the Swiss were they ever threatened, and that took three freak deflections to happen. Other than that, they won the ball, they kept the ball, they knocked it around the middle, they got kicked, complained, won a free kick, passed the ball around the middle some more, and then David Villa would score. It is easy to admire Spain, but not love them.
Compare this with World Cups past; Diego Maradona in '86, Paolo Rossi in '82, and, most spectacularly of course, Zinedine Zidane winning it all in '98 and then, to really cement his legend, dragging France to the final and then throwing it all away in 2006. (Italy, the actual winners, ending up only bit-players in Zidane’s grand narrative.) There has been very little of that drama this time around. Instead, we’ve had 4-2-3-1, vuvuzelas, and the inconsistencies of both ball and ref to provide our talking points. I have had more conversations about goal-line technology in the last month than I ever thought I would have in my life. (For the record I am against it, unless it happens to my team, at which point I think it's completely necessary and an outrage that it hasn’t been already introduced.)
It’s still the World Cup, though, and as the poet Ian Hamilton once said, “you should see me watch football. I watch it really hard.” Asamoah Gyan holding his shirt over his head, unable to believe that he has just missed the penalty that would send Ghana to the semi-finals, the U.S. goal against Slovenia, Carlos Tévez against Mexico, and Frank Lampard against Germany—the most memorable moments of the tournament have been the injustices. Tolstoy's famous dictum about families, it turns out, is also true for football.