Posts Tagged ‘Vera Nabokov’
April 19, 2016 | by Daniel Kehlmann
In this conversation—first published last month in the German magazine Cicero—Daniel Kehlmann and the Nabokov scholar Michael Maar discuss one of Maar’s most unlikely discoveries about Lolita.
In your book The Two Lolitas, you made an intriguing discovery—it started to obsess me a bit. What’s equally interesting, and kind of outrageous, is that most Nabokov scholars ignored your finding. Maybe they felt they ought to shield Nabokov from charges of plagiarism. So let’s get this out of the way first—is this about plagiarism?
Of course not. The word came up in the press when I published my first article about the discovery, but that’s not what this is about at all. Read More »
November 6, 2015 | by Dan Piepenbring
- If we’re going to gauge an artist’s success by the number of Twitter and Instagram followers she has, an aspirant artist can and should game the system: don’t wait for the followers, just go out and buy a bunch of fake ones. Constant Dullaart’s art is all about buying your following: “The bots are accepted as part of our social fabric, as long as they don’t spam us, right? But what actually happens to an art practice if you quantify the link between audience reception and market value? What is the quality of the followers, how many ‘managed’ or artificial identities are injected to increase market value? Many other artistic careers are justified in the press through their popularity on social media … My work was meant to comment on the value of audience quantification in the art world, in times when everything, even social relationships (now called social capital), can be defined in monetary terms.”
- Thirty years later, DeLillo’s White Noise is still the prophetic, funny, deathward-moving classic everyone wanted it to be: “White Noise is bathed in the glare and hum of personal computers and refrigerators and color televisions. Like bulletins from the subconscious, the text is intermittently interrupted by litanies of brand names designed to be pronounceable in a hundred languages: Tegrin, Denorex, Selsun Blue … in 1985, as the world accelerated toward an unrecognizable automated future and nuclear dread had become normalized, even the words Toyota Celica sounded like a prayer.”
- Today in poop jokes and the royal family: Isack van Ostade’s 1643 painting A Village Fair with a Church Behind has been a part of England’s royal collection since 1810. But this seemingly innocuous work contains the unthinkable: firm evidence that earlier generations of humankind defecated exactly as we do today. “As conservators began to clean the painting, they realized a bush in the painting’s right foreground was not original to the work. When they removed the bush, they discovered a squatting man relieving himself … Curators believe that the man was painted over in 1903 … Dutch artists often include people or animals answering the call of nature partly as a joke and partly to remind viewers of that crucial word ‘nature,’ the inspiration for their art. Queen Victoria thought the Dutch pictures in her collection were painted in a ‘low style.’ ”
- Roberto Calasso talks about his new memoir, The Art of the Publisher, and running the Italian publishing house Adelphi: “ ‘At the beginning, we were considered rather eccentric and aristocratic. Then, when we started to have remarkable commercial successes, we were accused of being too populist. That was curious because we were publishing exactly the same books … The word ‘information’ suffers from a kind of verbal inflation, which has confused the minds of lots of people. And that is really worrying. Not the simple fact of digitization, which I’m not scared of, but that in the mind of some people, these two terms conflate. But they are opposites, sometimes.”
- Pet names Nabokov had for his wife, Véra: “beloved insecticle … his kittykin, his poochums, his mousikins, goosikins, monkeykins, sparrowling, kidlet … his skunky, his bird of paradise, his mothling, kitty-cat, roosterkin, mousie, tigercubkin.” He wrote her hundreds of letters. She rarely wrote back.
May 28, 2014 | by Dan Piepenbring
- Around 1892, the world of books greeted perhaps the most salient advance since the invention of the printing press: the Holloway Reading Stand and Dictionary Holder. “For invalids and those accustomed to read themselves asleep it is invaluable … The tired man or woman may read while resting.”
- Working for J. D. Salinger’s agent: “One of Ms. Rakoff’s tasks was to respond to the steady stream of fan mail for the legendarily reclusive author … The letters, many of them handwritten, were personal and passionate. There were old men who had served with the author in the war and young people discovering the hypocrisy of the real world for the first time. Ms. Rakoff went off script and began to write back, giving the fans her own advice and opinions.”
- What explains the spate of novels about famous novelists’ wives? “Vera Nabokov, as far as I know, has not yet been transformed into the heroine of a novel. But it's only a matter of time. The demand for fiction cast in the template of ‘the creative person’s wife’ shows little sign of abating.”
- Remembering Bernard Natan, “a Romanian Jew who immigrated to Paris in 1905 and went on to become a titan of French film, a man whose brand name, for a time, rivaled that of Gaumont and Pathé, founding fathers of le cinéma français. At once media visionary and rapacious entrepreneur, he burned bright over the City of Lights until an arrest for fraud sent him crashing to earth.”
- “An emergency gives reading a practical urgency, but practical urgency and literature have little business mixing. This is exactly why reading, at its best, is good for you: there’s almost never an immediate, practical reason to do it. It cuts against the grain of the everyday—of the jobs we have to work, the bills we have to pay, the conversations and fashions we’ve been convinced we need to keep up with, the stock language and thought that float in our cultural ether, clogging our vision.”