Posts Tagged ‘vandalism’
September 23, 2014 | by Dan Piepenbring
From The Librarian at Play, a collection of essays by Edmund Lester Pearson, published in 1911. Pearson was a librarian who wrote humor and true-crime books.
I looked and beheld, and there were a vast number of girls standing in rows. Many of them wore pigtails, and most of them chewed gum.
“Who are they?” I asked my guide.
And he said: “They are the girls who wrote ‘Lovely’ or ‘Perfectly sweet’ or ‘Horrid old thing!’ on the fly-leaves of library books. Some of them used to put comments on the margins of the pages—such as ‘Served him right!’ or ‘There! you mean old cat!’”
“What will happen to them?” I inquired.
“They are to stand up to the neck in a lake of ice cream soda for ten years,” he answered.
“That will not be much of a punishment to them,” I suggested.
But he told me that I had never tried it, and I could not dispute him.
“The ones over there,” he remarked, pointing to a detachment of the girls who were chewing gum more vigorously than the others, “are sentenced for fifteen years in the ice cream soda lake, and moreover they will have hot molasses candy dropped on them at intervals. They are the ones who wrote:
If my name you wish to see
Look on page 93,
and then when you had turned to page 93, cursing yourself for a fool as you did it, you only found:
If my name you would discover
Look upon the inside cover,
and so on, and so on, until you were ready to drop from weariness and exasperation. Hang me!” he suddenly exploded, “if I had the say of it, I’d bury ‘em alive in cocoanut taffy—I told the Boss so, myself.”
I agreed with him that they were getting off easy.
“A lot of them are named ‘Gerty,’ too,” he added, as though that made matters worse. Read More »
August 5, 2014 | by Timothy Leonido
A panda painting, small-claims court, and the perils of communal living.
Of the many collectives in West Philadelphia, the Mitten was widely held to be the ideal model. Founded by six young progressives from the Inter-cooperative Council in Michigan, it hosted workshops on social justice and fundraised for local nonprofits. And it was a staple of the queer-arts scene: punk bands played in the basement and drag shows filled the living room, with performers grinding on audience members and audience members grinding on banisters. In the adjacent lot they had grown a lush garden with six raised beds and a chicken coop.
When I first moved to Philadelphia, I was eager to join a house like this one—but brimming with collaborative energy, they were in high demand, and the ones I found lacked the character and spirit that’d drawn me to communal living in the first place.
I was impatient, though, and took a room in Cedar Park, aka “University City,” at an A-frame Victorian with a huge mulberry tree. The quaint facade hardly matched its sterile interior: overhead lighting reflected off marble countertops, the white walls were bare, and there was La-Z-Boy furniture in suburban quantities. This collective included five members, young professionals who, surprisingly, spent the majority of time away from the house, staying often with their partners. A math teacher, a product engineer, a classical vocalist and a software designer—they were mild and even a little shy. But one of the members, Jeff, maintained a particular enthusiasm for the house. He spoke in an affectedly deep voice, noticeably straining as he described the order of things: regular meals “kept costs down”; adherence to the chore wheel “kept everything running smoothly.” He appeared to be the oldest by a significant difference; his skin had a jaundiced tint, and his goatee was visibly grayed. A baseball cap covered his bald head, and in his beige clothing he nearly blended with the plush chairs in the living room. Read More »