Posts Tagged ‘United States’
September 8, 2016 | by Deni Ellis Béchard
How expats fashion online identities while living in a war zone.
All wars have their aesthetic: the grainy newness of the World Wars, the photographer up close, in mud or water, his speed and fear palpable in the washed-out, often blurred images of men; the Cold War a stark espionage mystery, less action than mood, its clues hidden in the diplomatic formality of competing decadent powers; Vietnam a single black-and-white photo so horrifyingly violent it punctured the jingoism of American imperialism and showed its nihilistic core; and Afghanistan, its online presence as garish as the Las Vegas skyline—street shots and selfies transmuted by the virtual gears of social-media editing, their contrast, sharpness, and saturation jacked up until followers feel as if their neurons are feasting on the very opiates that keep the Taliban in business.
And each war has its signature story. Afghanistan’s coincides with the rise of social media. In the online world where banal weekend jaunts resemble the Odyssey and afflict followers with post-feed depression—the feeling after seeing glistening legs on a beach or a sunset clipped by an airplane’s wing (not, notably, the cramped economy seat or credit-card bill)—establishing a social-media presence in a war zone is more than self-fashioning; it’s reincarnation, maybe even creation ex-nihilo. Expats’ Facebook and Instagram avatars often emerge as if by divine birth, leaving followers unable to fathom how that bookish college friend wound up motorcycling around Kabul or hiking the Hindu Kush with a few smiling local dudes in pajamas who, to the untrained eye, are obviously Taliban. Read More »
August 1, 2016 | by Nathan Gelgud
August 15, 2014 | by Sam Sweet
World War II’s sensational venereal disease posters.
The “Bag of Trouble” girl appeared on her own poster in the same era—like her counterpart, she was beautiful and tough, with immaculate eyebrows and deep red lipstick, staring down her viewers with steely resolve. But the caption that surrounded her was more menacing than motivational: “She may be … a bag of TROUBLE.” Then, in smaller type, just in case you didn’t catch the drift: “Syphilis-Gonorrhea.”
If the “We Can Do It” woman represents World War II as the public wishes to remember it, then the “Bag of Trouble” girl represents the part that the public is eager to abandon. For that reason, the editor and archivist Ryan Mungia chose her for the cover of his new book, Protect Yourself: Venereal Disease Posters of World War II—the first piece of a much larger upcoming project of Mungia’s, Shore Leave, which documents the seamier side of the WWII experience through vernacular photos and paper ephemera. Seventy years after D-Day and the liberation of France, it’s no longer credible to memorialize the war solely with the romanticized combat of Saving Private Ryan and platitudes of the “Keep Calm and Carry On” variety. The war didn’t just traumatize the country—it exposed and exacerbated already disconcerting facets of American society. Read More »
June 23, 2010 | by David Wallace-Wells
Like those other steadfast skippers pilloried for poor performance in early games, Bradley has remained loyal, through the group stage, to a cautious 4-4-2, deploying creative flair in the central midfield, when forced to, only behind his quantum destroyer son, Michael Bradley—his head shaved bald like his father in a show of grim emulation. But Bradley père’s central defense suffocated Wayne Rooney in game one, and his bold halftime substitutions saved the Americans in game two, stockpiling on the field all the technical skill the middling U.S. team could muster, heedless of the tactical consequences.
Today his foresight and patient tinkering paid off again—adjustments made at halftime and throughout the final forty-five minutes—producing a steady stream of American chances which our virtuosity in bungling them proved we hardly deserved. And in the panicked ninety-first minute, Bradley’s alignment produced, at the very end of a half thoroughly dominated by U.S. possession, an improbable opportunity to counterattack—the open field being the only soccer habitat, it seems, in which American strikers can actually thrive. Now, pending results this afternoon, it seems the U.S. path forward will take them first through Serbia and then, given a result there, into a quarterfinal against either overperforming Uruguay, or the pinball side from South Korea. Winning those winnable contests means a place in a World Cup semifinal. And these two miraculous end-game assaults—an unrelenting second half against Slovenia, comical incompetence in front of goal against Algeria preceding a single surgical strike—look now a lot less like the anarchic energy of tactical desperation. They look like providence.
June 14, 2010 | by Will Frears
Everybody knows everything about everyone. Teams that have been thought of as tactically naïve (read African), weaker (read Asian), and overly gung-ho (read Latin American), have now adopted a much stricter tactical acumen—they set up defensively, invite the other team onto them and then hope to catch them on the counter attack. It started with South Korea’s run to the semifinal in the 2002 World Cup, took real hold when Greece won the European Championship in 2004, and reached its apotheosis when Inter Milan defeated Barcelona in the Champions League semifinal this year, despite being down to ten men and ceding seventy-five percent of possession to the Catalans.
The pleasures of truly bizarre play or utter annhilation have vanished. Instead we’ve had France versus Uruguay, a game in which both teams looked genuinely frightened of scoring and the 1–0 victories of both Argentina and Ghana, both of which were convincing without being particularly thrilling.
And then there was the US–England match, which had anticlimax written all over it. In England, where I watched, ITV managed to cut to a commercial just before England scored and cut back in the middle of the celebrations, thus denying the nation the collective roar that they had been preparing for since the draw was made, or since 1812 depending on which way you look at it. The less said about the American goal the better. There has been plenty of talk about the unpredictability of the Jabulani but until Rob Green’s howler, the main effect of it seemed to be long-range shots endlessly flying miles over the bar. There was something rather end-of-Empire about the ball squirming into the net. The teams took turns in the second half to press, both had one good chance to score and both, predictably, failed. (There is something Paxil-requiring in thinking about Emile Heskey, the misser of the England chance who has the astonishing goal-scoring record of seven goals in fifty nine internationals. It never seemed to cross his mind that he might score, let alone ours.) A draw had been emotionally agreed upon. Even the fans in the stand looked rather similar in their red, white, and blue; you had to really lean in to see if the focus was on stars or crosses.Read More »