Posts Tagged ‘Ulysses S. Grant’
August 19, 2016 | by Benjamin Nugent
A small-budget film dramatizes the passive motives of Civil War enlistees.
The following are reasons that Henry Mellon, the protagonist of the film Men Go to Battle, volunteers to leave his home and fight for the Union in the Civil War: his brother, Francis, has thrown an ax at him in a spirit of fun; one of his mules has run into the woods; the local rich girl has spurned his advances; his arable land is choked with weeds; Francis is taller and more confident than he is; a rainstorm has drowned six of his chickens.
The following are not evident reasons for his enlistment: patriotism, abolitionism. Henry can neither read nor write, and he shows no interest in the world beyond his town, Small’s Corner, Kentucky. The rich girl he likes is waited on by enslaved maids.
He slips off to the army on a winter night. Weeks later, he composes a letter home, dictating to a literate comrade: “I have all the beef and salted pork I want.” Read More »
August 3, 2016 | by Bonnie Nadzam
Revisited is a series in which writers look back on a work of art they first encountered long ago.
In 1974, when they were honeymooning in Atlanta, my parents bought a portrait of Ulysses S. Grant—not the one pictured above, but something close enough. They spent fifty bucks on it: cash they’d won on a bet with my grandfather, wagering that Nixon would not see out his term.
The painting hung above our fireplace in northeast Ohio when I was a girl. It matters only peripherally that Grant was an actual man who lived and died in the nineteenth century; who was the eighteenth president of the United States; and who, as commanding general of the United States Army, led the Union Army to victory over the Confederacy in the Civil War. What matters is how single-minded I found his gaze, his eyes staring down at me—to say nothing of the distinguished crinkle of the eyebrows above them, those bright buttons on his jacket, that thick beard and head of hair, sculpted like cake frosting. Read More »
July 26, 2016 | by Eileen Townsend
If you’ve ever taken I-81 north through Virginia, you’ve passed the town of Natural Bridge, in Rockbridge County—home to a ninety-foot limestone arch that extends over a gorge, a geological anomaly probably formed by an ancient underground river. Natural Bridge is an anachronism from the Route 66 era of highway travel, a place where you can pay twenty dollars to look at a rock, eat a rock-themed lunch, and then buy a shot glass illustrated with a picture of that same rock. As any respectable tourist trap must, the town hosts a constellation of other attractions: a petting zoo, a dinosaur/Civil War theme park, and the Natural Bridge Wax Museum (now closed, and former home to a ghoulish Obama tribute). Best of all is the featherlight, faux prehistoric monument known as Foamhenge.
As its name suggests, Foamhenge is a one-to-one scale replica of Stonehenge, made of foam. It is identical to the original, save the flecked gray paint, the accompanying statue of a deadhead-ish Merlin, and the fact that it was erected several millennia later. For the past twelve years, the henge has been the most public of Natural Bridge’s draws, garnering a steady stream of visitors and enough press to be mentioned in the same breath as the area’s actual ancient rocks. Its creator, an artist named Mark Cline, calls it his “foam-nomenon”: the unlikely culmination of his career as a sculptor of roadside attractions. Read More »
September 14, 2012 | by The Paris Review
Even if you’ve never read a book about the Civil War, the Personal Memoirs of U.S. Grant will grip your imagination. Dictated by Grant on his deathbed, championed and published by Mark Twain, celebrated by Matthew Arnold and Edmund Wilson (who compared it to Walden and Leaves of Grass), the Memoirs were cited by Gertrude Stein as a main influence on her own prose. However you may write, you'll find their power is contagious. Every page is a lesson in force, clarity, and grace under pressure. To read Grant’s description of a military problem, then to read the orders he gave, is, among other things, to see a great modern writer at work. —Lorin Stein
Have you ever imagined a music video as you listen to a song? Sigur Ros asked a dozen filmmakers to do just that with songs from their new album. The results are pretty great, but my favorite—and I’m hardly impartial—is Dash Shaw’s animated (I mean that literally) take on “Valtari.” Penned with Shortbus and Hedwig writer John Cameron Mitchell, the video features backgrounds by Frank Santoro, whose colors are, as ever, divine. —Nicole Rudick
If you’re in agreement with a friend of mine who considers most recent American covers of Cormac McCarthy’s novels “oversaturated Windows wallpapers” (why yes, Cormac, that horse is very pretty), then perhaps you will be both pleased and envious to know that the British ones now look like this, and apparently have for some time. Thanks to the now-defunct Aesthetic Book Blog for this gritty eye candy. And check out The Millions’ annualish comparison of American and British book covers for further contemplation. —Samuel Fox
August 31, 2012 | by John Jeremiah Sullivan
This week, our Southern editor, John Jeremiah Sullivan, stepped in to address your queries.
Dear Paris Review,
I live in the deep south and was raised in a religious cult.
Still with me?
Okay. I’m attempting to throw off the shackles of my religious upbringing and become an intelligent well-informed adult. My primary source of rebellion thus far has been movies. I would watch a Fellini movie and then feel suddenly superior to my friends and family because they only watched movies in their native tongue (trust me I know how pathetic this is). My main question involves my reading selections. Obviously, I have stumbled upon your publication and am aware of its status as the primary literary periodical in English. Also, I have a brand-new subscription to the New York Review of Books, since it is apparently the intellectual center of the English-speaking universe. I am not in an M.F.A. program or living in Brooklyn working on the Great American Kindle Single, I’m just a working-class guy trying to take part in the conversation that all the smart people are having. This brings me to my question: What books should I read? There are so many books out there worth reading, that I literally don’t know where to start. To give you some background info: I was not raised as a reader and was not taught any literature in the Christian high school that I attended. What kinds of books do I like? My answer to that would be movies. I’m desperate to start some kind of grand reading plan that will educate me about the world but don’t know where to start. The classics? Which ones? Modern stuff? Should I alternate one classic with one recent book? How much should I read fiction? How much should I read nonfiction? I went to college but it was for nursing, so I have never been taught anything about reading by anybody.
I realize this stuff may be outside of your comfort zone, as most of the advice questions seem to be from aspiring writers or college-educated people. Please believe me when I say that I am out of touch with the modern world because of a very specific religious cult. I want to be an educated, well-read, cultured, critically thinking person but need some stuff to read. Before I end this letter, I’ll provide an example of just how out of touch I am: you know how "Ms." is the non-sexist way to refer to a woman, and that "Mrs." is sexist? Yeah, I just found out about that. I’m twenty-five.