Posts Tagged ‘UK’
February 5, 2016 | by Sadie Stein
With all the controversy surrounding the renaming of problematic buildings, it seems fitting to draw attention to another bit of suspicious rebranding. Perhaps you’ve seen the BBC miniseries previewed above. “Agatha Christie’s And Then There Were None,” is, of course, Agatha Christie’s Ten Little Indians—which was originally, notoriously, released serially in the UK under the title Ten Little Niggers. (This was the British music-hall version of the minstrel song.) Even in 1939, this title was considered too offensive for American publication. Read More »
January 18, 2016 | by Dan Piepenbring
Any Joe with a Twitter account will tell you that today is Blue Monday, the most depressing day of the year. It’s a claim that rests mostly on a bunch of pseudoscience and a dubious 2005 ad campaign for a travel agency. Even so, a whole cottage industry has risen up around our apparent mid-January slump—especially in the UK, where people are always kind of miserable anyway. Tesco superstores are giving away free fruit; the BBC’s Scotland bureau has urged citizens to stay cheery by reminding themselves that the ski forecast is good and that the Spice Girls may soon reunite.
Though claims as to our collective depression have long been debunked, I wondered about the origin of the phrase “Blue Monday,” which clearly predates this latest usage. There was that great New Order song from 1983, for starters, and the subtitle to Vonnegut’s Breakfast of Champions (or Goodbye, Blue Monday) and the Gershwin opera well before that. Evidence from eighteenth-century books suggests that Blue Monday was once just an excuse for working people to get drunk, and it happened every Monday, because our ancestors have long known what any casual reader of Garfield does: Mondays are for the birds. Read More »
March 28, 2013 | by Pamela Petro
Read part 1 here.
I owned a car that I couldn’t drive.
After the “Possession at Devil’s Bridge,” as we’d started calling it, Phil had parked the Mini alongside my cottage before roaring back to campus in her reliable yellow Renault. The following morning I went out and stood beside it, wondering what to do next. Any car’s speedometer cable could snap, but not just any car’s cable would have so profound a sense of timing as to do it at midnight, atop Devil’s Bridge, on its first outing with a new owner.
Appropriately enough, the Mini and I were in Wales: home of Arthur and Merlin, breeding ground of the fabulous. In one of the old Welsh wondertales, black sheep that cross a magical river turn white, and white sheep turn black. The Mini’s color remained mushroom grey, but something similar, if more subtle, had happened as it crossed the Mynach. On the far side of the river the Mini had been cheap, utilitarian transportation; on my side, it had already become a character in a story. In Tender is the Night, F. Scott Fitzgerald says we all have a heroic period in our lives. The Mini came into mine just as one of these phases was beginning (I don’t see why we can’t have more than one), and promptly took its place in the pantheon of memory.
My next-door neighbor appeared and found me stroking my fingers through beads of dew on its roof. Read More »
July 26, 2012 | by Sadie Stein
We are grateful to Open Culture for drawing our attention to this rare film of Rudyard Kipling. From 1933, it shows the sixty-seven-year-old author giving a speech to the Royal Society of Literature (and guests from the Canadian Authors’ Association) at Claridge’s. “We who use words enjoy a peculiar privilege over our fellows,” observes the voice of the (already-fading) British Empire.
June 25, 2012 | by Randy Boyagoda
Most mornings this past winter—the Boyagoda household already running late—I discovered my oldest daughter reading at the kitchen table: one boot on, gloves, hat, knapsack, and other boot nowhere to be found. So immersed was she, so indifferent to my pleas and threats, that finally I had to pull the book from her grasping hands just to make her finish dressing for the cold walk to school. This experience has made me more sympathetic to my mother, who once spanked me in a grocery store because I wouldn’t stop reading a book. It was by Enid Blyton, the British children’s writer who wrote some 400 nursery, fantasy, and adventure series titles that have sold more than six hundred million copies worldwide, mostly in Britain and the former colonies, including Sri Lanka—where as a girl my mother herself first encountered Blyton. I recently bought one of Blyton’s books for my own daughter. But before passing it on, I decided to reread it.
The book seemed innocuous enough. As with all of Blyton’s adventure stories, it was about boys and girls drawn into mysterious doings while on summer holiday. Bickering but loyal, they best adults who are either distracted and dismissive, or criminals capable of outsmarting everybody but the kids. Working this premise for decades and dozens of stories, Blyton enjoyed great success—at the time of her death, a book club devoted to her work had some 200,000 members in Britain alone. But because that success depended upon such patterned writing, she was also accused by librarians, teachers, and academics of relentlessly dulling the imaginations of her young readers, and of unjustly encouraging those who were reading her from abroad to make identifications that race, geography, history, and politics preemptively denied them. This certainly seems to have been the case for the Nigerian novelist Chimamanda Ngozi Adichie; in a 2006 interview with The Times, she explained that her development as a writer was stunted by her early reading: “When I started to write, I was writing Enid Blyton stories, even though I had never been to England. I didn’t think it was possible for people like me to be in books.” Similar notions affect the eponymous protagonists of Jamaica Kincaid’s novels Lucy and Annie John, who both declare they wish they were named Enid, after their favorite author. For both the young Adichie’s and Kincaid’s characters, mimicry and the desire for renaming aren’t simple expressions of literary admiration; they’re also rejections of the children’s African and Caribbean worlds, which have been diminished by their very immersion in Blyton’s books. The Blyton reading experience likewise impacts a colonial child’s maturation in Rohinton Mistry’s novel Family Matters, in which an intelligent Indian boy grows up reading her books and from this develops a dismissive attitude towards the foods and places and names that figure in his Bombay life. When self-loathing and alienation begin to build, he stops reading her; later, noticing her books on his shelves, he admits, “I can’t bear to even open them. I wonder what it was that so fascinated me. They seem like a waste of time now.”
April 16, 2012 | by Jason Diamond
One could hardly call the area around Fifty-second Street, between Park and Madison Avenues in Manhattan, off the beaten path. The sleekly designed New York City Ferrari dealership sits two blocks away on Fifty-fifth, the Cartier American flagship store is one block down in a six-story neo-Renaissance style, and the archbishop of New York conducts holy business at Saint Patrick’s Cathedral just a few skips down the road. Midtown West isn’t exactly a destination for book shoppers—not flush with indie shops like Brooklyn, bereft of the used-paperback vendors who line the streets along various parts of Greenwich Village. But 55 East Fifty-second’s marble lobby, inside the triangle-shaped office building with a Gotham-style green-glass facade, conceals an equitably valuable treasure in the world’s only standing bookstore dedicated to the works of England’s former prime minister, Winston Churchill—Chartwell Booksellers. And while the tiny bookstore might seem at odds with its location, it actually makes perfect sense that one of history’s best-dressed leaders would have a store in one of the world’s most upscale shopping districts.