Posts Tagged ‘typewriters’
October 13, 2014 | by Jeff Simmermon
In 1972, Willie Nelson and Waylon Jennings changed the face of country music forever with the Outlaw country sound. In 1974, the Ramones did the same thing for rock ’n’ roll. In 2000, my friend Tim and I set out to do the same for both genres with a way-out sound and a more ambitious instrumentation.
We call ourselves Royal Quiet Deluxe, which is also the make and model of the typewriter I play as percussion. Tim plays the guitar and the bass, often simultaneously. We provide the backing rhythms for two live chickens that peck out abstract melodies on toy pianos.
Every rehearsal and performance is a spontaneous improvisation, and no two performances are ever the same. The chickens are named Kitty Wells and Patsy Cline. Different individual chickens come and go, but in our pretentious barnyard Menudo they are always named Kitty Wells or Patsy Cline.
The band played two shows last year in college that we felt went incredibly well. Our former housemate lives in Japan now with a boyfriend who books bands in Osaka and Tokyo. We lied to her a little about how much we’d improved since graduation, and she lied to her boyfriend a little more on top of that, and now he says that if we can get him a solid live tape, of an actual show with a cheering audience and everything, he can book us a tour in Japan.
And you just know Japanese people are crazy about this kind of shit. Read More »
August 28, 2014 | by Dan Piepenbring
- Philip Larkin: Not always a tremendous admirer of people, but an ardent lover of animals. “His secretary Betty Mackereth remembers how, ‘He just stood at the window of his office, looking out, and said: “I mowed the lawn last night; and I killed the hedgehog.” And tears rolled down his face.’ ”
- James Meyer, who was for thirty years an assistant of Jasper Johns, has pled guilty to stealing at least twenty-two of Johns’s works—an estimated $6.5 million value.
- We live in a world where not one but two new apps promise to re-create “the experience of a manual typewriter, but with the ease and speed of an iPad.”
- Against Against: “In recent years, there has been an ‘Against [X]’ epidemic: against young-adult literature, against interpretation, against method, against theory, against epistemology, against happiness, against transparency, against ambience, against heterosexuality, against love, against exercise, et cetera. The form announces a polemic—probably a cranky one, and very likely an unfair one. But an essay with such a title has inoculated itself against the criticism of being too polemical or tendentious—after all, did you read the title? Caveat lector!”
- In Pittsburgh, a nonprofit called City of Asylum provides free housing and a stipend “for foreign-born scribes who endured imprisonment, or worse, in their home countries.”
June 23, 2014 | by Dan Piepenbring
The history of the typewriter is, as with the history of the personal computer after it, rife with collaboration, ingenuity, betrayal, setbacks, lucre, acrimony, misguided experimentation, and bickering white men. There are rough analogs for Bill Gates and for Steves Jobs and Wozniak (though there’s no one so delirious and insane as Steve Ballmer)—and one such analog is Christopher Latham Sholes, a Milwaukee printer whose first “type-writer” was patented 146 years ago today.
Sholes is widely credited with having invented the first QWERTY keyboard. It helped to prevent jams and increase typing speeds by putting frequently combined letters farther apart—but that took years of trial and error; the initial iteration of his typewriter was far more rudimentary in design. It looks like a miniature piano crossed with a clock and/or a phonograph and/or a kitchen table—and Sholes did, in fact, design the prototype out of his kitchen table. As you can imagine, it didn’t boast what today’s designers would call “intuitive UX.” Its keys, borrowing from innovations in telegraphy, were arranged as such:
3 5 7 9 N O P Q R S T U V W X Y Z
2 4 6 8 . A B C D E F G H I J K L M
Notice the absence of 0 and 1; Sholes and his cohort assumed that people would make do with I and O. They also couldn’t be bothered with lowercase letters—the first Sholes model was in a condition of eternal caps lock, doomed to permanent shouting. And yet in another sense Sholes was full of intuition and prescience: purportedly, the first letters he typed on the machine were “WWW.” Read More »
March 10, 2014 | by Sadie Stein
Sometimes I like to think about what kind of sounds the people of a hundred or seventy-five years ago might have taken for granted, and those that are new—like the rattle of that stiff cereal bag, or a waking computer, of course—and those that will be extinct in our lifetime. When you play this game, you can catalog all the small elements of the sound track of a moment, and, because our knowledge is historical, place yourself in the larger context of all human existence. Or something. Anyway, it’s fun.
The Pop Chart Lab has just released a new chart, this one titled A Visual Compendium of Typewriters. It features sixty hand-drawn machines, ranging from the 1870 Hammond to ornate Triumphs to the sleek Smith-Coronas of the 1960s. I thought of sending it to my dad, who is a typewriter enthusiast—although he recently lent out the bulk of his collection to the Paris Review offices. He is trying to divest himself of stuff; both my parents are. But there are still a few typewriters here, at their house, and I spent a little while typing on them this morning.
A few years ago, my father gave me a very beautiful typewriter—an olive-hued second-model Royal Portable. At the time, he sent me the following note:
I forgot to ask how you like the typewriter. I thought it was the best in my collection; not just the most attractive, but the one with the crispest action and, hardly to be underestimated, the most satisfying sound. In fact, all of this was confirmed by my just-concluded visit with the gentlemanly proprietor of Gramercy Office Equipment, apparently the last old-time typewriter repair shop in the city. (I went to him with my Olivetti Valentine, a machine so gorgeous it is in MoMA’s permanent collection, but one with a tendency to fall apart even when less harshly treated than was mine.) In any case, he had two Royals like yours on display, only in brown and blue. I told the guy and his son (his only employee) that we had a green one and they were suitably impressed, going on about its merits. I also procured from them a ribbon for the machine, and they said that if you had any difficulty installing it, you should bring it by. You might wish to do so anyway, because the place is the last of a dying breed, and should you be so inclined, they’ll talk old typewriters forever. They’re right across from your old stomping grounds at the Flatiron, at 174 Fifth Ave, between 22nd and 23rd, 4th floor.
If you go to that typewriter repair shop my dad recommended, you will hear a cacophony of typewriter sounds—a living anachronism. It’s not for effect, or to create the illusion of age like the ersatz sepia patina on a highball-slinging new bar, but because the machines are being serviced, and oiled, and tested, and tweaked, and there is nowhere else for them to go. Somehow, those sounds give me a greater chill than they would if the typewriters were being used in some attempt to evoke an earlier time; the functionality and utility of the sound is what is transporting.
“At the typewriter you find out who you are,” said that seriocomic sage of Washington State, Tom Robbins. Maybe; I hope not. But I recommend pecking away as a form of therapy if you are feeling overwhelmed. There is a reason the mechanism of the keys is called “action”—and sometimes taking action, however small, is very comforting. Even if, like me, you cannot really type.
June 18, 2013 | by Sadie Stein