Posts Tagged ‘trends’
May 22, 2015 | by Dan Piepenbring
- Today in “Let’s Pretend There’s a Trend”: Are long novels enjoying a day in the sun? There are, after all, many of them being published this year. “People seem to be seeking wholly immersive experiences,” says one publicist. “They’re binge-watching, they’re cooking from scratch, going on ecotours. And there’s no more immersive experience than reading a good long book.” (Publicists for cocaine, LSD, and MDMA could not be reached for comment.)
- Fantasy authors, on the other hand, are advised to stop writing so many long novels. “A deluge of multi-volume epics has been published over recent years, each one in turn hailed as the next Game of Thrones, only to disappear within a few months as disappointed readers found reality didn’t match the hype … Most were by debut novelists, often interesting writers with some good short stories under their belt, pushed far beyond their technical abilities by an industry hungry for instant commercial success.”
- But if there are too many big books, there are also too many big literary festivals—in fact, the festivals are getting too big for their books, even for the big books. “What is the point of book festivals? To see your favorite authors on stage, hear them read from their books and in conversation? Or meet them, queue up to get their signatures in your first editions, and ask them questions?”
- While we’re at it, our data sets are growing too fast, too; this is your periodic reminder that the digital humanities are divisive and arguably counterproductive. The scholars who built Google Ngram “gave a presentation about how the specific year in which a book is set started getting mentioned much more frequently after the French Revolution, and hypothesized that this had something to do with a new sense of time in the modern nation-state. In fact, as a senior professor attending the presentation immediately pointed out, these were just the years when copyrights, including dates of publication, started appearing in the fronts of books.”
- There is, amid this outsize circus of excess, one man who isn’t big enough: the man who shot the artist Chris Burden with a .22-caliber rifle back in 1971. In the name of the humanities, this fellow was “willing to accept the risk that if he missed his target by inches, art could morph into homicide.” He’s an accountant now.
May 7, 2014 | by Sadie Stein
Last night, I attended a talk at the New York Public Library between Paul Holdengräber and George Prochnik, the author of The Impossible Exile: Stefan Zweig at the End of the World. Three different publishers were involved; the room was packed and attentive. In the mysterious way of such things, Stefan Zweig is, after some sixty years of obscurity in the United States, having A Moment. Wes Anderson helps, of course; Grand Budapest Hotel was a tribute to Zweig’s work, and is the cause of much of the renewed interest. But that someone like Zweig—once the toast of the international literati—came to Anderson’s attention in the first place shows signs of the mysterious forces that create such ebbs and flows. What makes a trend? Maybe it has a bit to do with something Prochnik said last night: no one can engage in the work of biography without at least some belief in ghosts.
Spiritualism aside, I am told that the trends for 2014 encompass everything: chocolate-chip-cookie milk-shots, dressing like superheroes, indie crossover R&B. There seem to be a great many cozy dystopias appearing in films. I won’t even speculate on apps. Or exercise.
I can’t tell you why these things have found such popularity. Certainly, I can tell you anecdotally that all of a sudden everyone seems to be reading Stoner, by John Williams. We appreciate good weather as we never have, but we are wary of being made fools of. It is hard to buy clothing, even cheap clothing, without filtering everything through something intellectual. It is okay to talk about insurance, sometimes. I don’t know if it is a product of these ghostly forces, but for the first time in my life I have felt an irresistible urge to drink sidecars. All I know is that in order for these things to take any kind of hold, they must feel like revelations to someone, if only for a moment, before they pretend that they knew all along and then have to reject it as obvious. Is that occult? Read More »