The Paris Review

When you’re young—a child, a teenager, a twenty-something—it seems, as Elisabeth Eaves says, “like it will never end. You can do anything because time is limitless, it’s infinite.” You can move to a different state or a different country. You can buy a one-way plane ticket. You can go to graduate school. You can move in with your boyfriend and get engaged and buy a house; and then you can move out. You can sublet indefinitely.

In her new book, Wanderlust, Eaves—a journalist and author who has worked for Forbes and previously published Bare: The Naked Truth About Stripping, about her time as an exotic dancer—does all of these things. Instead of making choices that follow neatly, one from the next—the job that brings you to a city where you meet the person you marry—the Eaves of Wanderlust makes decisions that consciously, thrillingly refuse to build on one another.

She travels to Cairo as a twenty-year-old college student. At twenty-three, she hikes the notoriously difficult Kokoda trail in Papua New Guinea. Fleeing the rekindling of her relationship with her ex-fiancé, Stu, she joins a husband and wife sailing from Whangarei to Tonga and nearly dies when their vessel is caught in a vicious storm on the open ocean. In person, Eaves may be slender and fair-haired, but she carries herself with a graceful, noticeable composure that makes it easy to imagine her haggling, at dusk, with a Jeep driver in Pakistan, trying to get him to lower the price of a ride she and her boyfriend desperately need. She maintains eye contact. She exudes competence.

And Wanderlust, though on the surface concerned with Eaves’s love of travel—a celebration of years spent indulging that love, moving from one town, one country to the next with little notice, living abroad for months and years at a time, cut off, in the days before e-mail, from family and friends—is also about the process by which she became the adult she is now. She doesn’t have regrets, though she would tell her twenty-year-old self to “spend more time trying to figure out what you want to do on your own. It’s easy to fall back on what somebody else wants to do.”

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Kurt Andersen had his list of “Words We Don’t Say.” As the editor of The Paris Review, what are some of yours? —Tom Michaels

Usage snobbery is a poor man’s snobbery. It has no place at The Paris Review. When Kurt Andersen compiled his list of peeves, he had the excuse of working at New York—a magazine that pretty much exists to market snootiness on a budget. You will notice that most of his verbotens come from the tabloids, the trades, or lifestyle magazines. (There is something, not just ironic, but deep about a lifestyle magazine banning the word lifestyle.) Which is to say, Andersen was doing his job. He was maintaining a tone.

Here at the Review we have no such excuse. All we’ve got are hang-ups. I blame mine on The Worth of Words, a late-Victorian usage manual that I picked up at a yard sale during high school and subsequently destroyed. It was too late. The Worth of Words had singed it onto my brain that the phrase due to should be used only in instances of someone actually incurring a debt of gratitude, that aggravate must never be used except in the sense of adding to, and that partially means only “with bias.” (Google Books has now reunited me with this manual and its insane author, Ralcy Halsted Bell. Entry one: “ABORTIVE means of untimely birth ... To speak of an abortive attempt or act is hardly short of the ridiculous.”

I do not recommend The Worth of Words, and I offer this tiny (partial) list of my own in a spirit of confession and contrition. Recently our managing editor, Nicole Rudick, cured me of an aversion to forthcoming (in the sense of “soon to be published”) with the help of the OED. Here, off the top of my head, are some more:

Home (for house)
Hopefully (for “I hope”)
Disinterest (for “lack of interest”—yes, even though I know it’s totally correct)
Delicious, Spicy, Tangy (used metaphorically)
Tasty (ever, but especially in reference to a “lick”)
Pleasantry (except in the sense of “joke”)
Following (to introduce a list: as in “the following”)
Contact (as a verb)
Relationship (ever, ever, even when it’s the mot juste)
Impact (unless we’re talking about, e.g., a car crash)

I could go on. (Couldn’t you?)

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DAY ONE

7:15 A.M. Istanbul. A bleary departure from the Pera Palace Hotel after three nights of its punctiliously restored Orient Express–era fineries. We own a sixth-floor walk-up nearby in Cihangir (an arty neighborhood dear to Orhan Pamuk), but my girlfriend Anya decided to rent it out. So we’ve stayed in a “Greta Garbo” suite here, with photos of GG on the wall and a view not of the Golden Horn but of a minor soccer stadium named for Tayyip Erdogan, the moderate Islamist prime minister, a former semipro football player from the poor neighborhood close by. “Footballer” on a politician’s CV is not to be slighted in soccer-mad Turkey. Hakan Sükür, the country’s iconic player, now retired, will run on Ergodan’s party ticket in the June elections.

Last night, döner and leg of lamb for au revoir dinner at Beyti, a sprawling palace of meat. Anya recounted dining beside Ralph Fiennes the night before. The ex–investment banker now at our table ("We like you anyway," I told him, grinning hostilely) told a cute story about Ralph’s cousin Ranulph Fiennes, the preposterously adventurous explorer. Some financial analysts were inspecting a Tesco supermarket in London, and in the main subzero storage freezer they came across a tent. Ranulph Feinnes was staying in it, prepping for the Antarctic. “Any pictures of Garbo?” I asked, to mostly puzzlement.

Pamuk’s name came up, with the inevitable Istanbul confidence-sharing about how admirable a writer he is, but such a tedious read.

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This is the second installment of Terzian’s culture diary. Click here to read Part I.

DAY FOUR

8:00 A.M. Help the convalescent Caleb into a car-service limo to JFK, where he’ll board a flight to Rochester. This afternoon he gives his Melville lecture. We’ll rendezvous in Albany, where I grew up and where my father still lives, tomorrow: Caleb will fly in from Rochester in the afternoon, I’ll drive up from Brooklyn with Toby in the evening. On Saturday morning the three of us will drive to a rented cottage in Deer Isle, Maine, for a belated summer vacation. “Pack sweaters,” we are told by just about everyone.

8:57 A.M. Shave with Neil Young’s “After the Gold Rush” playing in my head. Sometimes I try to trace a seemingly random song in my head to its origin—a stray thought, a phrase in a book, something overheard—but I fail with this one. I haven’t been lying in any burned out basements lately.

9:27 A.M. On the subway, read Sybille Bedford’s A Legacy¹—I’m toggling back and forth between this and Poser on my commute. There are a lot of animals in Bedford’s autobiographical novel, which is set in fin de siècle Berlin, and sometimes she holds back the fact that they’re animals. In one section, we’re told that a new character, Robert, is in the kitchen breaking plates, and two pages later he climbs into a young girl’s lap—Robert, we discover, is actually a monkey. In the passage I read today, the narrator describes the irritable donkey she had as a child who is “fond of music full of brass, and it was for her benefit that the gramophone was set a-trigger at tea-time under the lime tree.”

12:58 P.M. Take the subway on my lunch break to Chelsea, to see an exhibit of new work by David Shrigley at Anton Kern Gallery. This is the second time I’ve seen this show. I went to the opening two weeks ago with a couple of friends, but split off to talk to David, whom I interviewed last year for a travel article about the Glasgow arts scene, then had to rush through the gallery to catch up. David is tall and gentlemanly. The Glasgow trip was my last travel story, and I’ve been feeling misty-eyed about it lately. I told David that Glasgow was my favorite city, and he said, “Well, that’s ridiculous².” Today I want to spend more time with the show, when it’s less crowded. The centerpiece is a row of ten pairs of empty black ceramic boots³. A row of his funny drawings lines the walls, and hanging outside the building is a desperate-looking placard that says, “IT’S ALL GOING VERY WELL NO PROBLEM AT ALL.” There’s also a wall with small, protuberant digits beneath a model of the word God. My favorite thing here, though, might be a sculpture of a rib cage set on the floor in a circle of light from the skylight above, which I find inexplicably moving.

1:34 P.M. Think about how I don’t think about Pavement when I’m not reading encomiums to Pavement shows.

7:05 P.M. Get my hair cut at Whistle, a salon in the East Village. “Um … so do you know this actor Andrew Garfield?” Will, my haircutter, does! I come out with a modified, less actorly updo.

9:04 P.M. Caleb calls. The lecture was a success, the people at Geneseo lovely.

10:05 P.M. What to read over a week in Maine? First, the books I’m halfway through: A Legacy, Poser. Then some magazines: the new Paris Review, the new London Review of Books with a piece about creative-writing programs by Elif Batuman I’ve been hearing about, last week’s London Review with the Alan Bennett story I never finished. And now comes the joy of selecting un-begun books from the shelf. I settle upon three short ones, as I had intended: two New York Review Books Classics—James Schuyler’s Alfred and Guinevere, one of Caleb’s favorites, and Maria Dermoût’s The Ten Thousand Things, which my friend Jeff Rotter has praised in a Facebook post; and Colm Tóibín’s The Heather Blazing, in a tiny hardcover Bloomsbury Classic edition with a hand-painted cover. I’ll bring The Oxford Book of English Verse, of course, for romantic reading over breakfasts studded with wild Maine blueberries. And then the big question: to bring Ulysses or leave it behind? For vacation, shouldn’t I pack “pleasure” reading? But Ulysses gives me great pleasure—the kind of pleasure found in difficulty⁴. But shouldn’t I bring books that don’t require entire other books of annotation? I end up voting in favor—a quiet Maine cottage seems like the right place for a distraction-free geek-out. Read More »

DAY ONE

6:30 A.M. Packing for a trip to Toronto to meet George Pelecanos for the Hammett Awards. Embarking not just on a short trip, but on a Culture Diary, haunted already by George’s quote yesterday in The Wall Street Journal when they asked people what they’re reading this summer: “I'm not going to play that game¹. Everyone says something that sounds smart and ends up taking Michael Connelly to the beach.”

6:45 A.M. In and out of the bedroom while packing, so I hear bits of an NPR story about New Orleans music²—second line, bump.

7:10 A.M. Bag ready, kids still asleep, I turn to my two ongoing Wordscraper games on Facebook. There are ample reasons to like and loathe Facebook, and I can’t justify its existence or my participation in it, but what I can do is blame Nora Ephron. Her essay about her online Scrabble addiction led me into a world I (happily) never knew existed: the world of Scrabulous. Soon, I was the closest I’ve ever come to an illicit online activity, playing rapid-fire games with total strangers who slaughtered me mercilessly. And then a friend told me we could play via Facebook, which I’d assumed was off-limits to any self-respecting adult over twenty-five. (Many would argue this is still the case.) It was the beginning of the end³.

7:21 A.M. Slate. Dana Stevens, like every other critic I’ve read so far, confirms my sense that Sex and the City 2 is an abomination upon womankind. William Saletan is in a dust-up with The National Review.

8:07 A.M. WNYC in the car to Newark Airport. Bob Henley, did you have to use the word “confab”? I’ll answer that: no, you did not. Long, depressing, infuriating story about the oil spill. Scott Simon riffs on airport security⁴.

8:40 A.M. Turns out leaving Newark on Saturday during Memorial Day weekend is a breeze. I’m in and out of security faster than you can say “Scott Simon.” Which only leaves me more time to suffer the plague of modern travel: the CNN airport onslaught.

9:00 A.M. Joy! My iPod John Prine Pandora station is working. So long, CNN.

9:05 A.M. Rats. Pandora no longer working. Time to plug into Syd Straw’s “Pink Velour.”

9:30 A.M. iPod battery dead. CNN rage returns. Half-hour report that began with the dubious claim that “Some people don’t know how expensive college can be” has been deemed “incredible” by the anchor. That’s one word for it.

9:35 A.M. Twitter. A blogger loves James Hynes’s Next. And this is one reason why I love Twitter⁵.

10:15 A.M. Plane prepares for takeoff and I’ve left my New Yorker in the overhead bin and I can’t turn on my e-reader or iPod. Media withdrawal begins.

10:30 A.M. Manuscript on e-reader for the short duration of the flight.

2:15 P.M. Waiting to meet Pelecanos in hotel lobby. French Open! I haven’t seen any of it yet. Nadal v. Hewitt for five minutes, then George and I head for Toronto’s Greektown, and a great Greek feast.

4:30 P.M. Manuscripts; nap.

6:30 P.M. Hammett Awards, where I say hello to Walter Mosley and meet Jedediah Barry⁶, whose novel The Manual of Detection is one of the prize finalists.

10:00 P.M. After the ceremony, drinks with George, Canadian writers Linwood Barclay and Giles Blunt, and wonderful Deon Meyer, the South African writer who is here as an international guest of honor. They all seem to know an awful lot about films, soundtracks, motorcycles, and cars. I guess now’s not the time to bring up The Real Housewives.

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This is the second installment of Rita Konig's culture diary. Click here to read Part I.

DAY FOUR

7:00 A.M. NPR. Turns out it is pledge week. That explains the intolerable service! I can’t retain any information other than the stuff they are giving away.

8:00 A.M. New York Times story on children’s menus. Nicola Marzovilla hates them¹.

7:30 P.M. Times dinner at Bill Keller’s house. Walk into a room of faces I don’t know. See one I recognize across the room. Phew. Can’t think why I know him. Am seated next to him at dinner. Penny drops. I have been watching him (quite a lot) making stew on the screen in the back of my Jet Blue seat. He is Mark Bittman, food writer from the Times. So I tell him. “Sigh, Yes, I get that a lot.” Pretty much end of conversation. Ben Brantley, theater critic, on other side. Heaven. Realize this is my moment to ask about the shark fin in the Obama picture. So I ask: did they choose it on purpose? Was this a big joke at the Times? No one had noticed! Bill goes off to find a copy of the paper. Apparently, it is more likely to be a dolphin. Think I hide my disappointment reasonably well. By the end of dinner conversation has turned to Real Housewives.

DAY FIVE

9:00 A.M. Flight to Savannah for art classes at the Savannah College of Art and Design. Last April, sitting on a panel during their Style Week, I told founder and president Paula Wallace that I really wanted to learn perspective drawing. Presto! Am on my way for three days of private tuition.

10:00 A.M. Plane is TINY. Actually, I find that small planes are less scary than the big ones. We are jammed in like sardines. Read The Far Cry and eat mini pretzels. I am now loving the book². Read it all the way to the end. It is such a Persephone³ book.

1:00 P.M. Get picked up at airport. Keith Johnson was on my plane and is also going to SCAD to shoot for his show “Man Shops Globe.” Arrive at Magnolia Hall and start lessons, almost immediately, in the Carriage House with Peili Wang. He has two HUGE plastic bags filled with art materials. The most exciting is a box with a grid of every color of marker pen! I feel about eight years old.

9:30 P.M. Back from dinner and get into bed with new iPad. Watch "Real Housewives Reunion.” Kelly Bensimon is so stupid, she is like Kevin Kline in A Fish Called Wanda. Move on to Glee pilot. It is so cheery after all those bitching women. Want to break into song—“Don’t stop believing”—and I hate musicals! I do LOVE Jane Lynch, though. And she just got married. It was in the Times Style section⁴.

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