Posts Tagged ‘To Kill a Mockingbird’
August 4, 2015 | by Sadie Stein
It has been a bad summer for the iconic characters of Southern literature. A couple of weeks ago, a New Hampshire man named Huckleberry Finn was accused of rape. This was surely not what his parents had in mind when they named him.
When the world learned that Atticus Finch had aged into a crotchety reactionary with KKK sympathies, we thought of the children. Not just those thousands schlepping their mauve trade summer-reading paperbacks all over the country. But those named after what we believed was literature’s best dad; Atticus was the #1 boy’s baby name in 2015. As one baby-name Web site puts it, “Atticus, with its trendy Roman feel combined with the upstanding, noble image of Atticus Finch in To Kill a Mockingbird, is a real winner.” As the New York Times put it, “Fans of Mockingbird have been crestfallen and disbelieving that their hero could be so changed, but perhaps no group more so than those who chose that name for their children.” Read More »
February 20, 2015 | by Dan Piepenbring
- In Selkirk, Scotland, a man has found a previously unseen Sherlock Holmes story in his attic. Sir Arthur Conan Doyle apparently wrote it around 1904 to help raise funds for a new bridge. “It is believed the story—about Holmes deducing Watson is going on a trip to Selkirk—is the first unseen Holmes story by Doyle since the last was published over eighty years ago.”
- Why is To Kill a Mockingbird so beloved? Probably just because everyone was forced to read it growing up—in reality, it’s a “white-trash gothic” that infantilizes blacks and demonizes poor whites: “The central struggle in To Kill a Mockingbird involves class, not race. The book’s theme is the class war within the white South between the noble gentry and the depraved poor. In a clever twist, thanks to the community’s racism the white underclass villain wins in court, but the gentry hero enjoys revenge at the end, thanks to a killing that is covered up by the local sheriff.”
- While we’re at it, we’ve made a mess of Huck Finn, too: “We persistently misread Twain’s messages on race and children for a simple reason: Americans still subscribe to many of the same myths and prejudices as their nineteenth-century ancestors. Twain’s novel is not a hymn to the carefree pleasures of a rustic childhood; it’s a barbed critique of precisely the sort of standardized education that has now led to the book’s adoption in countless classrooms … Common readings of the book are now trapped in the same sanctimonious clichés that Twain both punctured and perpetuated.”
- How quickly is our spoken language changing, and how many of those changes should be reflected in print? “There is a natural problem, found the world over: how quickly to allow writing to adapt to changes in the spoken language? If spelling were adapted to pronunciation, the result would be a radical and destabilizing break with centuries of tradition … English-speakers are stuck with an archaic and anarchic system. Liberties with grammar—making the written language look like the spoken one—should be few and cautious. Giving the written language a little room to change, but not too much, is the only way to enjoy the best of both stability and vitality.”
- Ta-Nehisi Coates remembers David Carr, who was his boss at the Washington City Paper: “David—recovering crack addict, recovering alcoholic, ex-cocaine dealer, lymphoma survivor, beautiful writer, gorgeous human—knew something about how a life of fucking up burrows itself into the bones of knuckleheads, and it changes there, transmutes into an abiding shame, a gnawing fear which likely dogs the reformed knucklehead right into the grave. Perhaps that fear could be turned into something beautiful. Perhaps a young journalist could pull power from that fear, could write from it … ”
February 9, 2015 | by Sadie Stein
Harper Lee fever has gripped the nation. Ever since news of her lost novel hit last week, the famously reclusive writer has been everywhere—trending on Twitter, spawning lists, smiling above the fold on the front page of today’s New York Times. Naturally, there’s been as much controversy as delight: Is the elderly author being taken advantage of? Does she want the book released? According to her lawyer, the author is humiliated by such allegations.
Whatever you think about the release of the novel, the whole thing has started to feel a bit squicky, or at the very least odd. All of this has so little to do with the woman herself. Or so I declared self-righteously to my head over the weekend, when I resolved to take an attitude of superior distaste towards the whole business. When I saw a feature on Harper Lee’s New York in the New York Post, my lip curled. Until, that is, I glanced at the annotated map and saw that it listed—along with the Yorkville flat where Lee lived off and on for decades, Capote’s Brooklyn Heights home, and the offices of agent Maurice Crain—the old Shea Stadium. Read More »
March 7, 2014 | by Sadie Stein
Yesterday, the estimable Margaret Eby sent me something she had run across in The Artists’ and Writers’ Cookbook, a 1961 oddity fiercely beloved by culinary bibliophiles. This book—which featured an introduction by Alice B. Toklas and illustrations by Marcel Duchamp—is a treasure trove of literary arcana, containing as it does entries from contributors as wide-ranging as Man Ray, George Sand, and John Keats. (Maria Popova did a terrific post on TAAWC, if you want to see more.)
One of the more contemporary offerings, and that which Margaret passed along, is Harper Lee’s recipe for cracklin’ cornbread. It reads as follows: Read More »