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Posts Tagged ‘The O.C.’

This Is Growing Up

December 26, 2013 | by

Gate-of-Paradise-Paris-Review

A panel of Adam and Eve in Lorenzo Ghiberti’s Gates of Paradise.

All this week, we are bringing you some of your favorite posts from 2013. Happy holidays!

I had only been in Europe for two weeks when I started to feel homesick.

I’d decided to study in Florence on a whim, after having vaguely planned my entire sophomore year on traveling to Prague to study film at the famed FAMU. But while for FAMU there was a separate application I would have had to fill out, Florence was a simple checkbox on the registration website. And student housing in Florence was even cheaper than at my university in New York.

The general idea was to get a handful of my general education requirements out of the way and maybe even try to pick up some Italian while I was at it. I flew over to Italy with my mother, who was looking for a few days away from Chicago to take in, as she called it, la dolce vita. “I want a gondolier to sing to me, like in the movies,” she said. The gondolier spoke on his cell phone the entire time.

We arrived at the Florence Airport mid-morning. On the cab ride into the city, the driver informed us that one of the city’s time-honored traditions was complaining about the tourists, and, even worse than the general run of tourists, the hordes of visiting college students. I soon found myself in a large apartment off via Guelfa introducing my mother to ten other college students and an Italian RA. My mother quickly pulled me aside. “Please don’t get into any trouble. You know what the driver said.”

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The Porter’s Lodge

December 12, 2012 | by

In the summer of 2003, I attended a viewing party celebrating the premiere of The O.C. at my friend Diesel’s house. Specifically, in a guesthouse planted in an overgrown corner of his grandparents’ backyard. We called it the Barn, or the Sidehatch.

The Sidehatch had moldy furniture, an unreliable toilet, seashell ashtrays, and yellowed window lace. The refrigerator was noisy and warm. A thorny jungle pressed against the back windows. We sank into the spotted divan, clinked cups filled with stolen table wine and scarcely potable vodka sodas, and cheered as Ryan, the greasy angel from Chino, took up residency in the Cohen family pool house.

In dreams I occasionally confuse those two structures—the faded shingles of the Sidehatch easing to smooth, cool white—the way you might confuse a historical personality with the actor who portrayed them on film. That viewing party is a warm memory I often revisit in colder, lonelier moments, and the Sidehatch remains close to my heart, as much an unexpected salvation as Ryan’s Newport Beach.

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