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Posts Tagged ‘The New Statesman’

The Hatred of Painting, and Other News

August 31, 2016 | by

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Nicole Eisenman, The Session. Image via The Easel.

  • Hatred, they say, loves company—especially the company of artists and writers. Well, it’s getting worse: before we know it, hatred may become the dominant critical school of the century! Consumed with hatred, by that time, you will fail to remember that it all began with The Hatred of Poetry, Ben Lerner’s book-length essay. More recently, though, Lerner’s hatred has infected Hal Foster, respected critic and historian of visual art. The two spoke at Frieze New York, and the conversation has now been transcribed. Here is Foster reminiscing about his early years, when he hated painting and tried to kill it: “Well, I was part of a critical clique that, at an early point in the debate over postmodernism, wanted to put painting to death. There is a revolutionary rush to the declaration of any end. The history of modernism is punctuated by the thrill of the fini!”

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From the Cloakroom, at the Booker

October 20, 2011 | by

Julian Barnes by Ross MacGibbon.

For the real action at this year’s Man Booker Prize, you had to hit the cloakroom. For much of the evening, along with correspondents from all the major newspapers, I was sequestered in a large room in the palatial spread of the Guildhall. It was only when I ventured downstairs that recognizable faces attached to tuxedos and evening gowns began to drift in from the dinner. I ran across one former winner, dreamily improvising at an invisible keyboard while explaining how relieved he was to belong to what he called the great continuity of the prize; a well-known literary editor roamed the corridors, warily peering from right to left in the manner of a displaced meerkat; and Anne Robinson, host of The Weakest Link, was huddled against a wall, unusually hushed by the seashell allure of her cellphone. Read More »

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