In 2006, a leading Moscow publisher issued Texts Published Without the Permission of the Author, comprised of the works of a well-known Russian poet. Rather than a lawsuit, the book resulted in a literary symposium, accompanied by a debate about the nature of copyright and, finally, the first translation of Kirill Medvedev’s works into English. In December 2012, It’s No Good: poems/essays/actions—a compilation of the thirty-seven-year-old poet-activist’s work—was published, indeed, technically without the permission of the author, by n+1 and Ugly Duckling Presse.
Medvedev, a controversial figure in the contemporary Russian poetry scene, stopped publishing in 2003. He would continue to release poetry, essays, and calls to political action on his Web site, LiveJournal, and Facebook page. But he renounced all rights to his own work. “I have no copyright to my texts,” he wrote in Manifesto on Copyright, “and cannot have any such right.” He became more deeply involved in leftist activism. Some thought him washed up, a has-been, even crazy. Others were angered by what they deemed a gimmick.
Critical of the post-Soviet liberal intelligentsia, makers of the culture who came to dominate an increasingly booming nineties Russia, Medvedev—who was born in Moscow in 1975—and his work issue directly from the tradition he critiques; his father was a well-known post-Soviet journalist. A decisive moment of separation might be found in his abdication of the most basic literary right. Read More