Posts Tagged ‘technology’
April 12, 2013 | by Sadie Stein
Neologism, we should say. Whatever you call it, the device—a robotic book delivery system—is just one of many nifty features at North Carolina State University’s James B. Hunt Library of the future. Check it out here.
February 20, 2013 | by Katherine Bernard
On Valentine’s Day, George Saunders agreed to Gchat with The Paris Review Daily to discuss his use of the modern vernacular in fiction; his new book, Tenth of December; as well as Nicki Minaj and what is, according to Saunders, one of the great undernarrrated pleasures of living.
George: Hi Katherine - ready on this end when you are
me: Hi George!
I am prepared
George: Well, I’m not sure I am. But I am willing. :)
me: we could just do the whole thing as emoticons
:/ :l :?
George: Man, you are a virtuosiii of emoticons.
me: A symptom of my generation...
George: I only know that one.
me: You only know happiness, then.
George: No - I only know the SYMBOL for happiness. Like, I can’t do ENNUI. Read More »
October 30, 2012 | by Francesca Mari
I was the 501st person to join Facebook. The inimitable Hatty Hong, number 499, urged me on from her desk across our freshman dorm room. I hardly used it the first few months because so few others were active, and as a senior I logged on to look at dead people’s profiles. Or to click through photographs of myself to remember where my time went. I didn’t think it was appropriate to remain a member after graduation. Facebook was something you were to outgrow, like Tommy Girl perfume or AOL Instant Messenger. Five years since graduation, I use it more now than ever.
As an elder user, I can say one thing with authority: When it comes to disseminating news about Facebook, few media are more effective than Facebook itself. That’s how I came to learn that longtime users like me are more likely to believe others happier than themselves. At least according to a study from Utah Valley University. The longer one has used Facebook, they found, the more likely he or she is to recall other people’s positive posts: the stunning honeymoon in Greece of a girl you never really knew in high school—and whose last name now looks, well, Greek; a list of very impressive graduate school acceptances, the likes of which prompted one Awl writer to dash off a lesson in Facebook manners. Read More »
May 21, 2012 | by The Paris Review
As David Carr reported in today’s New York Times, The Paris Review is partnering with The Atavist to bring you an app worthy of the magazine, with complete issues, rare archival material, our entire interview series ... and (natch) the Paris Review Daily. Starting late this summer, you’ll be able to read us on your iPad, iPhone, Kindle, Kobo, Nook, or Sony Reader.
Foreign readers, take heart! For four decades we’ve been looking for a cheap and timely way to get the Review to our fans abroad. Soon, whether you’re in Melbourne or Milan, you’ll be able to read our stories, interviews, and poems at the same moment as everyone else.
Lovers of print, you take heart, too! Even those of us who hold no brief for gizmos will want to check out this app—for hard-to-find back issues, special anthologies, plus audio and video of your favorite writers. This is stuff we can only bring you digitally—and stuff nobody else can bring you.
April 23, 2012 | by Sadie Stein
October 6, 2010 | by Chris Weitz
DAY ONE, KIND OF
The first thing that occurs to me at the beginning of my cultural week is a question about criteria. What qualifies? If you read—or, as I did, listen to—Jaron Lanier’s You Are Not a Gadget, the whole of culture is going to hell in a handbasket, as mash-ups and the digital entrepôt rid us of professional reportage, musicianship, originality, and notions of humanity itself. He cites Facebook as an example of the degrading of our standards: What is a “friend” from now on? Punters of my generation—and probably most readers of The Paris Review will find this a curious thing to say, but my three-year-old son will likely see it as a word for the tally of standardized connections amassed through the mediation of a Web site.
DAY ONE, REALLY
Monday begins, technically, at 12:00 A.M. “Sunday night,” with an Alan Watts1 lecture on the subject of “Play and Sincerity.” I have long used Watts to put me to sleep, which implies that he is soporific. Not so; it’s that I find his voice comforting.
I also indulged in Zombieland2, the unfeasibly entertaining comedy directed by Ruben Fleischer. Of the two ruling monster metaphors currently infecting the public mind (the other being vampirism, to which I have to confess I have contributed), I favor the flesh-eating variety, though that may simply be an indication that I have a Y chromosome.
While we are at it, I am afraid that I rate Justin Cronin’s vampire epic The Passage a “sell.” The word is that Ridley Scott is to direct the movie version, and this may be one case of a book that benefits from boiling down. I hope that Sir Ridley is in his best science-fiction mode and can bring some of the quotidian genius3 that he brought to Alien and Blade Runner.
My dad, who served in the Office of Strategic Services at the end of World War II, always said that the New York Times was the greatest intelligence resource in the world. When I got old enough to have developed a taste for a newspaper without (as he called it) funny papers, we had two subscriptions for the house, so that there would be no scuffling over favorite sections. (We also received the Post, for shits and giggles.) Read More »
- For the uninitiated, Watts was a former Anglican priest who abandoned his vocation and trained as a Zen Buddhist monk. In his lectures, he refers to himself as an “entertainer.” To listen to him is to grasp the woolly abstractions of the New Age as common sense. And his rarefied, BBC English provides a marvelously counterintuitive texture to his thought.
- Zombieland convinces me that comedy is the way to handle these matters. I am very partial to Robert Kirkman’s superb comic The Walking Dead, though I worry that the AMC TV edition might suffer from a po-facedness that the comic manages to duck.
- One further tentacle of digression: Scott’s first film, The Duellists, is marvelous. It was adapted from a Joseph Conrad short story. My Dad and I used to watch it every year.